해방 전 조선 영화극장사 고찰
관리번호 TKC00886
- 실물구분
- 아날로그
- 매체유형
- 논문
- 주제구분
- 연구기술
기본 정보
- 본제목
- 해방 전 조선 영화극장사 고찰
- 부제목
- -
- 대등제목
- -
- 국가구분
- 국내
- 생산일자
- 2001-**-**
- 언어
- -
- 크기(mm)
- -
- 페이지
- 171
- ISBN/ISSN
- -
- 판차
- -
- 마스터파일
- -
- 생산자
- 이용남 (청주대학교 대학원 연기영화학과 석사 논문 저자)
- 내용
- (논문요약)[목적] 본 연구는 초창기에 세워진 극장들이 남아있지 않고 극장에 관한 연구서도 없는 현 상황에서 해방 전 조선 영화극장사를 새롭게 고찰, 정리하고자 한다. 결과적으로 해방 전 조선 영화극장의 역사적 고찰을 통하여 한국 영화극장의 주체성을 확립하고, 더불어 지역 영화극장사를 연구함에 따라 제시되어진 지역영화의 중요성을 새롭게 인식하는 변화의 틀이 될 수 있도록 하는데 본 논문의 연구목적을 둔다. (영문초록)[영문초록] The actual research about when a theater is established and how a movie, new pop culture fixed through this theater is not thoroughgoing enough yet on the research area of Korea Movie History, as a result, from the existing records of objective fact to its appraisal, most of Korea Movie Theater's History is wrongly registered or reveals fallacy. As for the research on Korea's Theater History, we can consider [Korea's Theater, Dance, Movie Dictionary] of Korea's Art Academy and [Korea's Modern Theater's Changing History] as the most reliable ones, besides, dissertations in which pieces of records are registered. But this research are dealing with most of theater-oriented history, meanwhile a record and appraisal about movie theater's history reaches a short level. And as for the Korea's Art Academy's[Korea's Theater, Dance, Movie Dictionary], it reveals pretty much errors on the interpretation and appraisal about the objective facts. The fact that Movie Theater, which made audience meet movie in a direct way is not properly considered on the research of movie history, proves how insufficient the systematization of Korean Movie History is. In Korea, the study about Theater or Theater History was limited only to a dramatic performance. It result from the fact that a theater and a cinema are not conceptually divided, creating an inconsistency. Since an early stage of theater ran parallel theater with cinema, research on the theater of dramatic performance's area was useful in consideration of Korea's Movie History, which is lack of an early stage of movie data, but in the sense of Movie History, the result is no more that unsatisfactory. In a present situation that theaters of an early stage are not left over and that there are no dissertations about theater, I would give the new interpretation a trial. At the same time, I will look around the socio-cultural role and meaning of an theaters where early stage of dramatic performance and movie were presented together on the screen and of a cinema house where only movies were shown perfectly, and furthermore, I wish to attach new facts on the research of Korea's movie history. Therefore, this research developed with Korea's Movie, and here I would describe in the emphasis of cinema house, which plays a centripetal point of our movie culture. It is a research on two sides. First, truly reputable cinema house where only movies were shown rather than atrical art. I would put in order Korea's Movie Theater through searching for traces how the cinema house goes through its creation, development and disappearance. Second, through an historical review on Korea Movie Theater's History, I would reform errors on the study related to the existing Korea Movie Theater's History. The scope of study is largely separated from 3 parts, in dealing with Movie Theaters established from Incheon's 'Hyupryulsa' in 1895 to 1945 Liberation by each period, I would examine an establishment background, theater activities, socio-cultural context, role of the times, merits an demerits on movie culture and make Korea's Movie Theater History a subject of discussion. As a result, this research aims at settling a new subjectivity of Korea's Movie Theater through the historical review on Korea's Movie Theater, changing to recognize activities of regional Movie Theater's Culture, and supporting activities of Korea's Movie Culture in a pure meaning. Therefore, briefly summarizing the effect of research, they are [suggestion of a new approach on Korea's Movie History], [The independent establishment of Korea's Movie Theater and Movie Theater's Culture Creation], [Regional Theater Culture Establishment], and [Activation of Regional Movie Culture and Regional Movie Theater's Culture Development]. Finally, what we would like to achieve in presenting the effects above is the actual activation of Korea's Movie Culture based on Korea's Movie Culture's Independent establishment.
목차
목차 제1장 序論 = 1 제1절 硏究의 目的 = 1 제2절 硏究의 方法 및 範圍 = 2 제2장 本論 = 4 제1절 劇場史 槪要 = 8 1. 解放 前 朝鮮 劇場史 = 8 2. 解放 後 韓國 劇場史 = 16 제2절 草創期 朝鮮 映畵劇場史 = 32 1. 劇場의 誕生 (1895年∼1901年) = 32 2. 最初의 映畵 上映場 登場과 그 以後 (1902年∼1910年) = 40 제3절 朝鮮 映畵劇場의 全國 地形圖 = 77 1. 北村과 南村 時代를 中心으로(1911年∼1920年) = 77 2. 朝鮮 映畵劇場의 復興期(1921年∼1935年) = 97 3. 解放 前 朝鮮 映畵劇場의 變化 (1936年∼1945年) = 138 제3장 結論 = 152 참고문헌 = 158 ABSTRACT = 162 부록 : 해방 전 조선극장 목록(1895년∼1945년) = 166 표목차 <표 1> 전국 멀티플렉스 현황 = 30 <표 2> 전국 멀티플렉스 현황 = 31 <표 3> 1926년도 극장현황 = 98 <표 4> 1921년∼1930년 설립극장 = 99 그림목차 <그림 1> 한성전기회사 사옥 = 10 <그림 2> 동대문발전소의 굴뚝 = 11 <그림 3> 국립극장 = 18 <그림 4> 세종문화회관의 주무대인 대극장 = 19 <그림 5> 예술의 전당 = 22 <그림 6> CGV 강변11 = 25 <그림 7> 씨네 플러스 = 25 <그림 8> MEGA BOX 씨네플렉스 = 27 <그림 9> MMC = 27 <그림 10> 대한극장 = 29
소장정보 1
TKC00886
- 입수처
- 한국영상자료원
- 입수방법
- 기증
- 입수일자
- 2002-12-30
- 그룹정보
- -
- 공개구분
- 방문열람
- 복사/대여
- -
- 보관위치
- 영상도서관(상암)
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