매체 전환의 문화적 함의와 텍스트 변형 연구 : 연극의 영화화를 중심으로

기본 정보

본제목

매체 전환의 문화적 함의와 텍스트 변형 연구 : 연극의 영화화를 중심으로

부제목

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대등제목

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국가구분

국내

생산일자

2011-**-**

언어

한국어

크기(mm)

-

페이지

190

ISBN/ISSN

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판차

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마스터파일

-

생산자

김윤정 (동국대학교 영상대학원 문화콘텐츠학과 박사 논문 저자)

내용

(논문요약)[영문초록] This study is a search for media transformation phenomenon according to filming of plays. The phenomenon that the existing works produced into other media can be regarded as the ‘media transformation of text'. This phenomenon is not bound to the exchange of specific media only but is widely spread in all media. Filming of play is natural in the multimedia era where various media coexist and compete against each other, and in each media, coexistence and negotiation between genres are general. Filming of play is not simply transformation of media from play to film but connote the culture change of the times. This thesis examined the filming of play from 2 viewpoints. First one is the search for the external environment of culture and arts according to media transformation from play to film. Meaning of media transformation according to the filming of play is affected by the external element of text according to the topography of culture and arts, that is, the contextual elements. Topographical change of culture and arts from the modern to the contemporary times can be examined at the big framework of cultural change from production oriented one to the consumer oriented one, from high culture to popular culture, transition of recognition from the reason to the sensitivity world, and from the text to the image. Second one is the search for the change in internal factors according to the dramatization of scenario in the play, the texts in the play and film. First of all, this thesis examined what would be the meaning of dramatization study, with which theories existing dramatization studies have been conducted and how they have been conducted, and in particular, the meaning of dramatization study of modern times based on the concept of faithfulness to the original. In particular, the esthetic structure of text, the basis of dramatization study, causes the problems of differentiation and homogeneity between dramatic literature and narratology in the horizon of narration. After examining the discussion from the aspect whether play and film can be regarded as one mode of narration, this thesis inquired the difference of expression type between stage language and image language that might be experienced in the course of dramatization from play to the scenario. In the end, this thesis also examined what would be the meaning of popularity in the changing tastes of people, the fundamental problem immanent in the transformation of text and which text transformation strategies are commonly used to communicate with them. Based on above discussion, case studies were conducted with 3 works which were transformed to films from plays. First work is the play <Come to See Me> and Film <Memories of Murder>. The film <Memories of Murder> transforms its themes from philosophical and personal discourse to the social discussion. In particular, the reason why it aroused sympathy from the audiences is because it settled the people's pain on the unsolved Hwaseong Serial Murder Case. That is, it shifted the responsibility of not being able to protect the women victims onto the absence of role of society or others, rather than my or personal incapacity so that people who lived in 80’s could evade their responsibilities. Second work is the play and film <Welcome to Dongmakgol>. The characteristics in transformation is the purification of serious theme of South-North problem to the fantasy space of Dongmakgol. Its success factor seems to be easier and warmer viewpoint of postwar generation on the serious theme of division through reinforced humanism and fantasy. Third work is the transformation of play <Eei> to film <A Man of King>. The film shows popular codes of Beijing opera(Gyeonggeuk), love triangle, clown, homosexual love which might cause diverse discussions and viewpoints in one work with various meanings. In addition, such elements show that fundamental strategy of communication with the people is the energy of resistance, followin

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