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문헌

2000년대 후반 한국 영화에서의 유사가족 관계에 관한 연구

관리번호 TKC03676

실물구분
아날로그
매체유형
논문
주제구분
연구기술

기본 정보

본제목
2000년대 후반 한국 영화에서의 유사가족 관계에 관한 연구
부제목
-
대등제목
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국가구분
국내
생산일자
2010-**-**
언어
한국어
크기(mm)
-
페이지
83
ISBN/ISSN
-
판차
-
마스터파일
-
생산자
강나영 (동국대 영상대학원 Film Studies 석사 논문 저자)
내용
(논문요약)[영문초록] As we know, all fields of the study in contemporary have diversity. Many scholas agree to acknowledge diversity, especially for discussing family.Not only that Family members have been constantly changing but also whole family. And so, a family and its members features variability and diversity. Family influences all fields, and it is taken too. Especially, family relation in Korean society experienced a major change when they faced a national crisis, IMF. The chage of Korean family stucture that was caused by lost of prestige and status of patriarch can be interpreted in crisis of patriarchal system and crisis of masculinity. Crisis of patriarch and broken patriarchy lead to crisis of family and dissolution of family structure in a society which had been regarded patriarch as a head of family. In this situation, family in Korean film began to be restructured. It means restructuring family system functions as a strategy to overcome hardship of family and society. Thus, Korean film began to utilize the family more actively since the late 1990s. Represented Family in Korean Film has shown crisis of family, dissolution of family and restructure of family through various family form. Family form variously represented offers foundation to respect the diversity in Korean society. It is a testing process of restructuring dissolved family. Many people have a wrong premise when they discuss the future in family.They compare a familiar nuclear family with vague notion and assume that other kinds of family form can replace a nuclear family. But it is not that particular family form can replace another. Forms of living together or living apart would be various and it would be coexistent In this point, Quasi-family is the testing process as alternative to the family. There is no distinct definition of family. When we regard that family is not unchangeable but a process of continuous changing, we can approach Quasi-family as alternative to the family. The purpose of this study is to discuss family of reality and to overcome the contradiction of family through family represented in Korean film, and to recognize coexistence of various family form through Quasi-family.

목차

Ⅰ. 서론 = 1 1. 연구목적 = 1 2. 선행연구 및 문제제기 = 6 Ⅱ. 근대적 핵가족, 유사가족, 그리고 ‘대안가족' = 11 1. 근대적 핵가족의 신화 = 11 2. 유사가족 정의의 문제 = 14 (1) 애정적 보살핌에 대한 요구 = 28 (2) 유사가족에 대한 정의 = 20 3. ‘대안가족’의 문제 = 22 4. 분석대상 = 27 Ⅲ. 한국 영화에 재현된 유사가족의 형태 = 29 1. 무너진 근대적 핵가족의 신화 : <똥파리> = 29 2. 핏줄 없는 가족 : <호로비츠를 위하여> = 37 3. 유사가족으로써의 스포츠 팀 : <우리 생애 최고의 순간>과 <국가대표> = 45 (1) 팀 결성 : 그들 각자의 이유 = 49 (2) 훈련 과정 : 그들이 가족이 되어가는 과정 = 54 (3) 경기 결과 : 팀을 통해 그들이 얻게 된 것 = 64 Ⅳ. 왜 유사가족인가? = 68 Ⅴ. 결론 = 72 <참고문헌> = 74 <ABSTRACT> = 82

소장정보 1

TKC03676_01

입수처
국회도서관
입수방법
기증
입수일자
2010-10-06
그룹정보
-
공개구분
방문열람
복사/대여
-
보관위치
영상도서관(상암)

연계 정보

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