90년대 이후 한국 멜로드라마영화에 나타난 남성캐릭터 변화 : <8월의 크리스마스>, <파이란>을 중심으로

기본 정보

본제목

90년대 이후 한국 멜로드라마영화에 나타난 남성캐릭터 변화 : <8월의 크리스마스>, <파이란>을 중심으로

부제목

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대등제목

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국가구분

국내

생산일자

2010-**-**

언어

한국어

크기(mm)

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페이지

72

ISBN/ISSN

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판차

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마스터파일

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생산자

조미라 (동국대 문화예술대학원 공연예술 석사 논문 저자)

내용

(논문요약)[영문초록] Tragic emotion can derive from misery of protagonist in melodrama. Audience can sympathize with main actor/actress's sadness, suffering, and troubles, then they shed tears. Tears symbolize the effect of melodrama's emotional, conventional and popular narrative. In scientific, tears can make in stressed situation. Tears is the device to transpire poisons from stress. In this same way, human's emotion can be catharsis through tears in melodrama. Melodrama is a made of popular narrative. European Melodrama evolved in the eighteen century was translated into Korean soil first during Japanese colonial rule in the form of 'Sinpa theatre' and then imported by America in the full force during post-Korean war period. Heroines are passive and obsequious in Korean traditional patriarchal system until 1960's films. Like those of character can make stimulate audience's emotion. However, adventure of mixed genre and various scenario have changed heroes's character in Korean films since 1990's. Melodrama did not compel excessive emotion and exaggerate heroine's tragic situation any more. Korean films did not delineate heroes of standardization of strong character in traditional patriarchal system. They start to express masculinity of sorrow and frustration. So contemporary heroes are received mild and complex character in melodrama. Then they can cry contrast before heroes. These alienated character can be main topic since 1990's. It means that even men also can enjoy melodrama like women. Jung-won in <Christmas in August, 1998> and Gang-je in <Failan, 2001> showed weak masculinity like women under patriarchal system. They are not strong like before melodrama's heroes. They do not know how to express their emotion. Their characters in the end of film are belong to changing of masculinity. Korean melodrama started to draw different character like Jung-won in <Christmas in August, 1998> and Gang-je in <Failan, 2001>. They cried bitterly and showed repressed their tears. Then they deviate from the conventional strong male complex. So there is not super man from conventional principle any more.

목차

목차

Ⅰ. 서 론 = 1 1. 연구 목적 = 1 2. 연구 방법 = 5 Ⅱ. 본 론 = 8 1. 멜로드라마의 탄생 = 8 2. 한국 멜로드라마영화의 남성성, 남성캐릭터 = 10 1) 한국 멜로드라마영화의 변천과 신파성 = 10 2) 한국 사회가 요구하는 남성성 = 13 ⑴ 유교적 사회: 강한 남성상과 감정의 억제 = 16 ⑵ 군인정신: 보호자와 책임자로서의 의무 = 17 3. 남성 멜로드라마영화 출현(出現) = 20 1) 남성캐릭터 변화 = 21 2) 남성의 감정표출: 오열 = 23 3) <8월의 크리스마스>와 <파이란> 텍스트분석 = 25 ⑴ 정원과 강재의 캐릭터분석 = 27 ⑵ 캐릭터의 변주 = 30 ① 죽음으로 인한 거리두기: '정원' = 32 ② 강한 남성사회에서 배제(排除): '강재' = 45 ⑶ 운명의 굴레: 죽음 = 56 Ⅲ. 결론 = 63 참고문헌 = 66 ABSTRACT = 71

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