로코코 시대를 배경으로 한 영화의상 연구 :「마리 앙투아네트」와 「공작부인」을 중심으로

기본 정보

본제목

로코코 시대를 배경으로 한 영화의상 연구 :「마리 앙투아네트」와 「공작부인」을 중심으로

부제목

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대등제목

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국가구분

국내

생산일자

2010-**-**

언어

한국어

크기(mm)

-

페이지

85

ISBN/ISSN

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판차

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마스터파일

-

생산자

김시아 (경희대 아트퓨전디자인대학원 패션아트학 석사 논문 저자)

내용

(논문요약)[영문초록] This study aimed to explore how differently costumes in movies were expressed according to each 'local background' and 'the director's intention' based on two movies, 「Marie Antoinette」 and 「The Duchess」where upper class females of rococo times appeared as main characters. The two movies were analyzed and summed in terms of items, characters, and situations and the impact upon such results were identified to achieve this aim. Based on the results from item analyses, the types of robes which most frequently appeared in the movies were robe a la francaise (25 times) as for 「Marie Antoinette」 and robe a la l'anglaise (10 times) as for 「The Duchess」. Despite the same rococo background, these different results came from local background of France where salons played an important role and the geographical background of the UK where practical cultures were valued. As for costumes revealed from analyses of characters, the main characters of the movies, Marie Antoinette and the Duchess, despite their same age group of the mid and late teens, had clear differences in costumes due to various factors such as local backgrounds and the director's intention. As for costumes of Marie Antoinette, the vivaciousness was reinterpreted and expressed in a modern sense based on ornamental trimming with ribbons and rush as well as the overall luxurious pastel colors to stress the image of a young girl. On the contrary, despite the similar age group, the Duchess appeared as a heavy and dark character with overall deeply toned dark colors and silk brocade. Finally, how differently the costumes were expressed according to situations of each story was compared. It was found that costumes of the same item were used according to the given situation in both movies. All wore robe a la francaise in a wedding ceremony. In parties and for casual wear, they wore robe a la l'anglaise and for outdoor wear, robe a la polonaise, caraco and pelisse were worn, which revealed that characters wore clothes based on T?P?O. Based on the results above, this study has proven that the possibility of reinterpretation of costume design for movies is infinite according to diverse time backgrounds and a director's intention. Therefore, this study can be meaningful in terms of informing the importance of studying costumes in movies.

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