Nouvelle Vague를 통해본 '초기'Jean-Luc Godard의 영화관에 관한 연구 A Study of Viewpoint and Thought of Jean-Luc Godard Expressed in his 'early' Films through Nouvelle Vague

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본제목

Nouvelle Vague를 통해본 '초기'Jean-Luc Godard의 영화관에 관한 연구 A Study of Viewpoint and Thought of Jean-Luc Godard Expressed in his 'early' Films through Nouvelle Vague

부제목

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대등제목

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국가구분

국내

생산일자

1994-**-**

언어

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크기(mm)

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페이지

74

ISBN/ISSN

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판차

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마스터파일

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생산자

김건 (전북대학교 대학원 불어불문학과 석사 논문 저자)

내용

(논문요약)[목적] 본 논문은 영화미학운동으로 중요한 의미를 가지는 Nouvelle Vague를 통해 '초기'에 드러나는 Godard의 영화이론과 영화관을 고찰해보며, 영화가 상업적으로만 중시되고 있는 현실에 비추어 모든 영화인들에게 자성의 기회와 앞으로 영화가 나아가야 할 방향을 제시하는데 그 목적의 의의를 둔다. (영문초록)[영문초록] The major purpose of this study is to analyse the viewpoint and thought of Godard expressed in his 'early' films through Nouvelle Vague which has the important significance in the film history aspect. In the modern society, the film played constantly major roles in transmitting information along with newspaper, magazine, radio and TV etc... People who live in nowaday's society are getting much more information through TV or films. Like this, the film art has made a great progress as composite art by itself not as asecondary to other arts. In consideration of that the film history is short and the theoretical books are insufficient than other arts, this researcher started to study his works to contribute to the film art world. Besides, this study will offer the opportunity of self-reflection to the people who are interested in the film art and suggest the direction that the film art should go forward in the light of realities when the film got involved in excessive commercialism. In order to fulfil the purpose of this study, the contents are as follows : Chapter I is to introduce the purpose of the study and it's scope, and current methodological trends in the study. Chapter II is to analyse and describe the characteristics of Nouvelle Vague on the basis of the theoretical method comprehending it's essential attribution. Chapter III is to reveal his activities before Godard became a film director and research his 'early' works in the historical context of the film. This chapter is also to look into how he accepted the contemporary custom and traditionse in his films through the texte and thesis on Godard. Chapter IV is to study how Godard accepted Brecht's theory and thought which put great influence on Godard's works. The Godard's artistic world can be divided by two sections but not for sure. It is too hard to clearly distinguish his works by section because of their ceaselessly changing characteristics. This researcher classified the two sections between the period when films were produced in the commercial system and the period when political cahracters strongly stood out in producing films. As the result of this study, this researcher found out how Godard had changed the contemporary film tradition itself and developed the film as composite art-genre. Now, the film will be the most important art-genre as composite art which can totally include all art's attribution, very great charming art-genre in modern society.

목차

목차

ABSTRACT I 序論 = 1 1·1 연구동기와 목적 = 1 1·2 연구방법 = 3 II 누벨바그 Nouvelle Vague = 6 2·1 Nouvelle Vague의 배경과 일반적 경향 = 6 2·2 Nouvelle Vague의 한계와 영향 = 18 III '初期' Godard의 映畵 = 29 3·1 감독이전의 경력-작가주의론 Les Politiques des auteurs = 29 3·2 '初期'에 드러난 미학적 특성 = 38 IV 브레히트 Brecht 이론의 수용 = 54 4·1 Brecht 이론-소격(疏隔)효과 = 54 4·2 '初期' Godard 영화속의 Brecht식 장치 = 58 V 結論 = 65 參考文獻 附錄

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