일본애니메이션 감독 신정 수의 작품세계와 작가정신 고찰

기본 정보

본제목

일본애니메이션 감독 신정 수의 작품세계와 작가정신 고찰

부제목

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대등제목

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국가구분

국내

생산일자

2001-**-**

언어

-

크기(mm)

-

페이지

88

ISBN/ISSN

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판차

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마스터파일

-

생산자

김중화 (청주대학교 대학원 연극영화학과 석사 논문 저자)

내용

(논문요약)[목적]본 논문은 국내 애니메이션 실정을 올바르게 파악하고 감독 오시이 마모루의 작품을 통해 상업애니메이션에서 작가정신의 필요성과 방향성을 탐구하고 작가정신을 발휘할 수 있는 여건의 기반조성에 대한 연구를 목적으로 하였다. (영문초록)[영문초록] Even though the korean animation industry is the third largest in the world in terms of total products. Animations in Korea, including movies and comic books, have been considered as "low" culture whose audience is limited to children. But animation needs to be understood as a genre of culture and arts. Animation industry in korea still depend largely on OEM from overseas animation companies. but animation industry in Korea can flourish and be ready to compete with others in world market, when unproductive social bubbles such as excessively commercial-oriented public events and aimless educational programs are eliminated, when proper and sufficient supports from government are provided, and when social environment, in which existing creative authors are appreciated justly according to their efforts and talents, is created. The share of indigenous animation is very small in the korean market. Korean animation director lose a chance to develop their own creativity, Because Korea animation producers have adapt to procedures and taste of the host. Korean producers attempt to develop indigenous animation. To solve these problem and develop creative animation. The animation producer has to support director as a author. The characteristic of commercial animation films in Japan was that first of all, various tastes of directors could be engaged in making a film because lots of directors were needed for the mass production of films. Japanese animation developed its own distinctive features in theme, genre, aesthetic consciousness and the method of expression. The works of Mamoru Oshii can be discriminated the existing commercial animation because the process of the story, the characteristic of the work and expression of an author are demonstrating sufficiently an authorship. Terefore, we have to discuss an authorship based on both mind and life of an author in commercial animation. And we also emphasize on the importance of authorship in commercial animation films.

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