영화 내러티브의 분석방법에 대한 고찰

기본 정보

본제목

영화 내러티브의 분석방법에 대한 고찰

부제목

-

대등제목

A Study on Method of Analyzing Film Narrative

국가구분

국내

생산일자

1997-**-**

언어

-

크기(mm)

-

페이지

112쪽

ISBN/ISSN

-

판차

-

마스터파일

-

생산자

홍성남 (중앙대학교 대학원 영화학과 영화이론전공 석사 논문 저자)

내용

(논문요약)[목적] 본 논문은 영화의 대중영화를 이해하려는 한 가지 방편으로서 내러티브를 분석하는 방법론을 제시하려는 목적을 갖는다. 본 논문은 내러티브에 대한 분석 방법을 구축하기 위해 제라르 쥬네뜨의 분석 방법론을 하나의 기준으로 삼아 논의를 전개할 것이다. (영문초록)[영문초록] Narrative is expression of events which is real or fictitious and situation the events occur through temporal sequence. It is said that narrative represents one of the major traits of popular film. This thesis intends to present the methods of analyzing film narrative as a key way to comprehend popular film. The frame of analysis Gerard Genette presented in Narrative Discourseis evaluated to be one of the most systematic and subtle methods of analyzing narrative. Genette divides the levels of narrative into three: histoire, recit, and narration. In his method considering the relations of those three levels, there we three categories of tense, mood, and voice. This thesis follows Genette`s model, and therefore its body consists of story structure, tense and mood, and narration. Story which refers to organization of narrative content is the aspect all narrative texts have in common. To establish the general grammar of story structure is the project general narratology seeks to carry out. The Structuralist theory of Levi-Strauss and formalist study of Russian fairy tale by Vladimir Propp were the two most important influences on the development of film narrative analysis. These two approaches correspond to two primary methods of analyzing story structure: semantic and syntactical approach. Five codes Roland Barthes argues in S/Z are significant in tha t he merges semantic and syntactical approaches by using these codes. The categories of tense and focalization treat the relation between story (histoire) and narrative discourse (recit). When we try to define narrative and elucidate the essence of it, category of temporality holds an central position. Tense manipulates story events by means of the subcategories of order, duration, and frequency. Vocalization alludes to the activity of the character from whose perspective (or angle of vision) events of fictional world are perceived. Narration includes activity of telling a story, activity of producing a narrative, and situation that narrating activity takes place. When the level of story transfers to that of narration, we can pay attention to the language characteristic to medium itself. Tom Gunning presents useful analytic model by means of the concept of narrator, an agent taking charge of narrating activity. In film, narrative discourse functions at three distinct levels simultaneously. These three levels are the pro-filmic, the enframed image, and the process of editing. And correlation of these are called narrator system. Narrative analysis tends to focus on text itself and not to take interest in context surrounding the text. Therefore analysis theory will have to combine cultural studies and reception theory actively.

소장정보 2