공포영화의 유열 연구

기본 정보

본제목

공포영화의 유열 연구

부제목

-

대등제목

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국가구분

국내

생산일자

2010-**-**

언어

한국어

크기(mm)

-

페이지

79

ISBN/ISSN

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판차

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마스터파일

-

생산자

공원쇠 (성균관대 대학원 영상학 석사 논문 저자)

내용

(논문요약)[영문초록] The pleasure showed in horrible films was examined in various ways in the paper. “Horror” originally refers to the reaction of aesthetic subjects, and can emotionally demonstrates fear, disgusting, worry and so on. Physiologically it shows short of breath or fast beat of heart. That’s to say, the sense of horror is not a pure emotion, but contains various emotions and is a kind of feeling experience with obvious physiological symptoms. Looked on as one type of art which involves with emotion reaction of audiences, horrible films cover various kinds of medias to arouse the negative emotions of audiences such as fear, worry and disgusting for its purpose. Anyhow, why do so many people still enjoy watching this kind of film? The fact that people like watching horrible films tells us that watching horrible films do give satisfaction or pleasure to audiences. In terms of the feeling experience in real life, pleasure and horror are so extremely different that they can hardly be compatible. This brings up a basic problem to us, that is in the process of watching horrible films, what’s the link between the two extremely contradictional feelings? As a matter of fact, through revelation of harm and destroy of the beautiful and depiction of the breakup of individual life, horrible films aim to look for the flash of life and let the audiences feel the existence of life force among fear, panic, darkness and evil. It should be stated that the description of the dark world and the destroy of life is not the final purpose. People now haven’t many opportunities to face or accept the horrible scenes, however, the deep rooted sense of fear in the heart doesn’t become weak as the dangers in the world decrease. People through various means express their curiosity towards horror and worry in inner heart. And as a twisted and deformed mirror, horrible films can exactly meet people’s curiosity as well as express fear and worry of human being and strain the nerve. At the same time they reflect every aspect of real sociey and the weakness when human beings face the horrible things, and then release the negative emotions at the moment of stimulus and panic. On the other hand, in the history of aesthetics it’s common to find aesthetic activities with painful human experience, such as tragedy that produces sympathy and fear. Sublimity can be fearful as well , grotesque colours horror and ugliness is often related to painful feeling. Anyhow, why can horrible films today develop a school of its own in the category of aesthetics and become the new favourite in the field of art of horror? The paper analyses the emergence of sense of horror in the aesthetic experience of horrible art represented by horrible films and the relation between horror and pleasure. In comparison with these aesthetic experience such as tragedy, sublimity, grotesque and ugliness, it is found that horror has been existed as an independent aesthetic experience. Starting from these problems, the paper first will compare art of horror with other category of aesthetics, analyse the similarities and differences so as to make clear the acceptable features of horrible art.

목차

목차

제1장 서론 1 제1절 연구 배경 및 목적 2 제2절 연구 방법 및 논문의 구성 5 제2장 예비적 고찰 7 제1절 유열의 개념 7 제2절 유열의 미적 형상화 8 제3절 유열과 공포 예술 11 제3장 공포예술과 다른 미학 범주와의 관계 16 제1절 공포예술과 비극 16 제2절 공포예술과 숭고 22 제3절 공포예술과 그로테스크(Grotesque) 28 제4절 공포예술과 추(醜) 34 제4장 공포영화와 유열 43 제1절 일상에서 나타나는 공포와 공포영화 43 1. 공포에 대한 욕구를 충족시키는 공포 영화 43 가. 관객에게 시·청각적인 자극을 제공하는 공포 영화 45 나. 사회적 스트레스를 경감시키는 공포 영화 53 2. 현실의 공포와 공포 영화상의 공포 55 제2절 공포영화 미감의 생성 57 1. 심미역(審美閾) 58 2. 감정이입(empathy)과 내적 모방 59 3. 공포영화의 부작용 60 제3절 공포영화의 미학적 가치 61 1. 사망 체험과 그 의미 62 2. 공포영화와 정신적 생존 63 가. 인간성의 추악(醜惡)에 대한 고찰 63 나. 우려성(憂慮性) 65 제5장 결론 68 참고문헌 72 ABSTRACT 77

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