IMAGE ON THE ART EVOLUTION OF THE FILM

기본 정보

본제목

IMAGE ON THE ART EVOLUTION OF THE FILM

부제목

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대등제목

-

국가구분

국외

생산일자

1979-**-**

언어

영어

크기(mm)

210 x 278

페이지

248쪽

ISBN/ISSN

048623777X

판차

1st edition

마스터파일

-

생산자

Marshall Deutelbaum (저자), Dover Publications, Inc. (발행처)

내용

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목차

목차

PART I. THE PREHISTORY OF THE FILM "'Rounds of Amusement': The Thaumatrope," (XX, 1;Mar. 1977) / Marshall Deutelbaum = 1 "The Horse in Gallop," (I, 4; Apr. 1952) / Beaumont Newhall = 3 "Muybridge and the First Motion Picture: The Horse in the History of the Movies," (V, 1; Jan. 1956) / Beaumont Newhall = 4 PART II. THE PIONEERING AGE OF THE FILM "A Collection of Edison Films," (VIII, 3; Sept. 1959) / catalogued by Gordon Hendricks = 9 "Firsting the Firsts," (XIV, 5-6; Dec. 1971) / George C. Pratt = 20 ''Reminiscences of an Early Motion-Picture Operator," (V, 6; June 1956) / Francis Doublier = 23 "She Banked in Her Stocking; or, Robbed of Her All: Mutoscopes Old and New," (XIX, 1; Mar. 1976) / Andrew H. Eskind = 26 "From What Strange Source" (VII, 8; Oct. 1958) = 32 "'No Magic, No Mystery, No Sleight of Hand': The First Ten Years of Motion Pictures in Rochester," (VIII, 4; Dec. 1959) / George C. Pratt = 39 PART III. THE HEROIC AGE OF THE FILM "Influences of the Danish Film," (V, 3; Mar. 1956) / James Card = 53 "The Screen's First Tragedienne: Asta page Nielsen," (IV, 3; Mar. 1955) / James Card = 57 "The Posse Is Ridin' Like Mad," (VII, 5; Apr. 1958) / George C. Pratt = 59 "The Posse Is Still Ridin' Like Mad," (VII, 7; Sept. 1958) / George C. Pratt = 68 "In the Nick of Time: D. W. Griffith and the 'Last-Minute Rescue,'" (VI, 3; Mar. 1957) / George C. Pratt = 74 "The Blonde Telegrapher: Blanche Sweet," (XVIII, 1; Mar. 1975) / George C. Pratt = 79 "'See Mr. Ince...," (V, 5; May 1956) / George C. Pratt = 85 "Reminiscences of the Early Days of Movie Comedies," (VI, 5; May 1957) / Clarence C. Badger = 96 "A Myth Is as Good as a Milestone," (VII, 9; Nov. 1957) / George C. Pratt = 103 PART IV. THE CLASSIC AGE OF THE SILENT FILM "The Pre-Hollywood Lubitsch," (XVIII, 4; Dec. 1975) / Jan-Christopher Horak = 107 "The Silent Films of Cecil B. DeMille," (XIV, 5-6; Dec. 1971) / James Card = 118 "The Films of Mary Pickford," (VIII, 4; Dec. 1959) / James Card = 121 "Out of Pandora's Box: Louise Brooks on G. W. Pabst"— I: Introduction, by James Card; II: "Mr. Pabst," (V, 7; Sept. 1956) / Louise Brooks = 133 "Shooting Off-the-Set," (VII, 6; June 1957) / James Card = 138 "Silent-Film Speed," (IV, 7; page Oct. 1955) / James Card = 145 PART V. STUDIES OF INDIVIDUAL FILMS "Mr. Griffith, The Painted Lady and the Distractive Frame," (XIX, 4; Dec. 1976) / Russell L. Merritt = 147 "Trial Balloons: The Chamber Mystery (XVIII, 1; Mar. 1975) / Marshall Deutelbaum = 153 "'Southern Landscapes of the Mind's Eye: Griffith's The White Rose," (XIX, 4; Dec. 1976) / Jan-Christopher Horak = 157 "The Quiet Love Triangle of Smouldering Fires," (XVIII, 3; Sept. 1975) / Marshall Deutelbaum = 160 ''Restoring the Context," (XV, 2; July 1972) / George C. Pratt = 165 "King Vidor's The Crowd," (XVII, 3; Sept. 1974) / Marshall Deutelbaum = 166 "The Most Important Factor Was the 'Spirit': Leni Riefenstahl During the Filming of The Blue Light," (XVII, 1; Mar. 1974) / Peggy A. Wallace = 171 PART VI. INTERVIEWS / George C. Pratt "'If You Beat Me, I Wept': Alice Terry Reminisces About Silent Films" (XVI, 1; Mar. 1973) = 181 "'It's Just Wonderful How Fate Works': Ramon Novarro on His Film Career" (XVI, 4; Dec. 1973) = 187 "'Anything Can Happen—and Generally Did': Buster Keaton on His Silent-Film Career" (XVII, 4; Dec. 1974) = 195 "Mind Over Matter: Harold Lloyd Reminisces" (XIX, 3; Sept. 1976) = 205 "Camera on the Move: An Interview with Hal Mohr" (XIX, 1; Mar. 1976) = 214 "The Approach to Create: James Wong Howe" (XX, 1; Mar. 1977) = 225 PART VII. THE FILM STILL "Coming Attractions: American Movie Stills as Photography," (XVIII, 2; June 1975) / Marshall Deutelbaum and George C. Pratt = 237 INDEX = 245

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