A DIRECTOR'S METHOD FOR FILM AND TELEVISION

Preface = ix Acknowledgments = xi Part 1 : A Creative Conceptualization Chapter 1. Introduction = 3 The Method = 4 The Checklist = 4 Languages of the Film Director = 4 Chapter 2. The Director's Prime Directive = 7 Defining the Director = 7 A Screening Room Analogy = 8 The Prime Directive = 9 Chapter 3. The Central Theme = 11 The Checklist Form = 12 What Is the Central Theme? = 12 Finding the Central Theme = 13 Part 2 : The Literary Language Chapter 4. Rules of a Screenplay = 21 Defining the Term = 22 Empathy = 23 The Central Theme = 27 Conflict = 32 Characters = 34 Chapter 5. Structure of a Screenplay = 39 Point of Attack = 40 The Obligatory Scene = 41 Rising Action = 42 Three-Act Structure = 43 Mise-en-Scene = 44 Chapter 6. Screenplay Formats = 47 Treatment = 47 Types of Screenplay Format = 49 Part3 : The Visual Language-Understanding the Cinema Language Chapter 7. The Shot = 65 Composition = 65 Grammar of the Camera = 72 Picturization = 76 Chapter 8. Cinema Languages = 79 The Development of Cinema Language = 79 Time = 80 Space = 82 Chapter 9. Rules of Cinema Language = 83 Repetitive Shots = 83 Revealment = 84 Orchestration = 85 Part 4 : The Visual Language - The 12 Cinema Languages Chapter 10. The Most-Used Cinema Languages = 89 Master Scene Cinema Language = 89 Interpersonal Cinema Language = 111 Chapter 11. Constrasting Cinema Languages = 135 Constructive Cinema Language = 135 Advantages = 136 Disadvantages = 137 How to Plan = 137 Fragmented Cinema Language = 141 Chapter 12. Other Cinema Language = 147 Symbolic Cinema Language = 147 Parallel Cinema Language = 149 Collision Cinema Language = 151 Vorkapich Cinema Language = 153 Subjective Cinema Language = 154 Transition Cinema Language = 155 Cine Verite Cinema Language = 157 Combinations of Languages = 158 Chapter 13. Movement = 159 Definition = 160 The Purpose of Movement = 160 Composition Rules of Movement = 161 Movement in Picturization = 166 Emphasis = 169 Movement Rules for Subjects = 171 The Grammar of Camera Movement = 172 Perspective Movement Rules of the Camera = 174 The Subject and Camera Optics = 176 Chapter 14. Movement Cinema Language = 177 Rules = 178 Movement Master Scene = 181 Making Dialogue Visual = 183 Movement Interpersonal = 190 Constructive Movement = 191 Fragmented Movement = 191 Symbolic Movement = 192 Parallel Movement = 192 Collision Movement = 192 Vorkapich Movement = 192 Subjective Movement = 192 Transition Movement = 193 Cine Verite Movement = 193 Mixture of Movement = 193 Part 5 : The Actor's Language Chapter 15. Understanding the Actor = 197 The Grammar of the Actor = 197 Acting Language = 199 Film Acting = 201 Professional Film Acting = 202 Chapter 16. The Director Prepares for the Actor = 205 Finding the Beat = 206 Naming the Character's Motivation = 207 Character Analysis = 207 Charting Entrances and Exits = 208 Immediacy, the Key to Film Acting = 209 Chapter 17. The Actor's Language = 211 Stanislavsky's Method = 211 Method Procedures = 213 Part 6 : The Production Language Chapter 18. Preparing the Checklist Form = 219 Preparation = 219 Implementation = 224 Chapter 19. The Dilemma's Answer = 227 The First Reading = 227 The Second Reading = 229 The Third Reading = 231 Chapter 20. Conclusion = 233 Appendix = 235 Recommended Films = 241 Recommended Books = 243 Index = 245

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