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Cinema Raw

Shooting and Color Grading with the Ikonoskop, Digital Bolex, and Blackmagic Cinema Cameras

관리번호 BFM010402

실물구분
아날로그
매체유형
도서
주제구분
행정제도

기본 정보

본제목
Cinema Raw
부제목
Shooting and Color Grading with the Ikonoskop, Digital Bolex, and Blackmagic Cinema Cameras
대등제목
-
국가구분
국외
생산일자
2014-**-**
언어
영어
크기(mm)
190 x 234
페이지
200쪽
ISBN/ISSN
9780415810500
판차
1st
마스터파일
-
생산자
Kurt Lancaster (저자), Focal Press (발행처)
내용
-

목차

About the Author = ix Foreword: Virgin Frames. Untouched by Michael Plescia = xi Acknowledgments = xvii introduction: What Camera to Choose? What Story To Tell? = xxi PART I. Getting the Raw Deal 1. Creating a New Paradigm: Behind the Scenes at Digital Bolex = 3 2. What's the Deal with Raw? The Advantages (and Disadvantages) of Shooting Compressed vs. Raw = 23 3. Film Gear for Raw Filmmakers: A Low-Budget List = 45 PART II. Raw Production Case Studies = 63 4. Filmic at 16mm Digital: In the Field with Ikonoskop's A-Cam dll = 65 5. Looking Sharp: in the Field with Blackmagic's Digital Cinema Camera = 85 6. Rich Textures and Skin Tones: in the Field with Digital Bolex's D16 = 111 PART III. Raw Postproduction = 129 7. Color Correcting and Color Grading CinemaDNG with DaVinci Resolve = 131 8. Color Correction and Color Grading CinemaDNG with LightPost and Camera Raw = 159 conclusion: The Importance of Color Depth and the Uniqueness of Cameras = 185 AFTERWORD: The Organic Look of Digital Film by Joseph Rubinstein = 189 APPENDIX: Why You Must Have 4K and Raw and Why You Absolutely Don't Need It by Philip Bloom = 191 Index = 159

소장정보 1

BFM010402_01

입수처
(주)학술정보
입수방법
구입
입수일자
2015-12-21
그룹정보
-
공개구분
방문열람
복사/대여
-
보관위치
영상도서관(상암)

연계 정보

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