Master Shots Vol 3

INTRODUCTION = vii HOW TO USE THIS BOOK = xi ABOUT THE IMAGES = xii CHAPTER 1: ADVANCED LENSING 1.1 Long Lens Distant = 2 1.2 Long Lens Close = 4 1.3 Long Lens Stationary = 6 1.4 Long Lens in Motion = 8 1.5 Short Lens Distant = 10 1.6 Short Lens Close = 12 1.7 Short Lens Stationary = 14 1.8 Short Lens in Motion = 16 1.9 The Medium Lens = 18 1.10 Cutting the Lens = 20 CHAPTER 2: ESSENTIAL MOTION 2.1 Blended Moves = 24 2.2 Camera in Motion = 26 2.3 Character Drives Camera = 28 2.4 Reveal Moves = 30 2.5 Move with Camera = 32 2.6 Moving Straight On = 34 2.7 Moving Sideways = 36 2.8 Moving at an Angle = 38 2.9 Short Moves = 40 2.10 Turns and Curves = 42 CHAPTER 3: DEPTH STAGING 3.1 Character Moves = 46 3.2 Crossing = 48 3.3 Move to Frame = 50 3.4 Moving Point of View = 52 3.5 Move to Reveal = 54 3.6 Move with Reflection = 56 3.7 Reversed Push = 58 3.8 Velocity Dolly = 60 CHAPTER 4: EXPERT FRAMING 4.1 Line Cross = 64 4.2 Break Cut = 66 4.3 Pan Motion = 68 4.4 Push Through = 70 4.5 Repeat Angle Push = 72 4.6 Tilt Reveal = 74 4.7 Rotate Out = 76 4.8 Silhouette = 78 CHAPTER 5: SYMBOLIC STAGING 5.1 Double Push = 82 5.2 Magnetic Characters = 84 5.3 Intimacy Break = 86 5.4 High Drag = 88 5.5 Power Exchange = 90 5.6 Indecision = 92 5.7 Isolating Push = 94 5.8 Group Break = 96 CHAPTER 6: PRODUCTION DESIGN AND LOCATION 6.1 Anti-Establishment Shots = 100 6.2 Dirty Frame = 102 6.3 Enrich the Foreground = 104 6.4 Fake Wall = 106 6.6 Framing Focus = 110 6.7 Personal Reveal = 112 6.8 Reflection Establishment = 114 6.9 Reverse Reflection = 116 CHAPTER 7: DYNAMIC ACTION 7.1 Action Shift = 120 7.2 Misdirected Motion = 122 7.3 Return to Subject = 124 7.4 Paused Push = 126 7.5 Push Against Flow = 128 7.6 Motion Circle = 130 7.7 Conveying Speed = 132 7.8 Turn Cut = 134 CHAPTER 8: SHOOTING PERFORMANCE 8.1 Opening the Scene = 138 8.2 Body Acting = 140 8.3 Core Close-Ups = 142 8.4 Extreme Close-Ups = 144 8.5 Angled Talk = 145 8.6 Slide into Scene = 148 8.7 Owning a Scene = 150 8.8 Parallel Space = 152 8.9 Separating Charactors = 154 CHAPTER 9: Camera Height 9.1 Head Heights = 158 9.2 Angle Instruction = 160 9.3 Angled Heights = 162 9.4 Down to Camera = 164 9.5 Flattening the Shot = 166 9.6 High Angle = 168 9.7 Motionless Look-up = 170 9.8 Unseen Face = 172 9.9 Low Slide = 174 9.10 Seated Power = 176 CHAPTER 10: Complex Camera Moves 10.1 Complex Spin = 180 10.2 Actors in Motion = 182 10.3 Cutting from the Master = 184 10.4 Diagonal Reveal = 186 10.5 Long Track = 188 10.6 Dolly Frame = 190 10.7 Push to Close-Up = 192 10.8 Wide to Close = 194 10.9 Opposing Slide = 196 10.10 Group in Motion = 198 CHAPTER 11: The Advanced Director 11.1 Deep Blocking = 202 11.2 Motivate the Camera = 204 11.3 Developing Motion = 206 11.4 Making Use of Space = 208 11.5 Lost Geography = 210 11.6 Chracter View = 212 11.7 Story Points = 214 11.8 Scene Staging = 216 11.9 Visualizing the Scene = 218 11.10 Creating On-Set = 220 Conclusion = 222 About the Author = 223

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