Chinese Language Film

Acknowledgments ix Note on Romanization xi SHELDON H. LU AND EMILIE YUEH-YU YEH 1. Introduction: Mapping the Field of Chinese-Language Cinema = 1 PART ONE Historiography, Periodization, Trends CHAPTER ONE | MARY FARQUHAR AND CHRIS BERRY Shadow Opera: Toward a New Archaeology of the Chinese Cinema = 27 CHAPTER TWO I ZHANG ZHEN Bodies in the Air: The Magic of Science and the Fate of the Early "Martial Arts" Film in China = 52 CHAPTER THREE - MEILING WU Postsadness Taiwan New Cinema: Eat, Drink, Everyman, Everywoman = 76 CHAPTER FOUR ㅣ SHUQIN CUI Working from the Margins: Urban Cinema and Independent Directors in Contemporary China = 96 CHAPTER FIVE - SHELDON H. LU Chinese Film Culture at the End of the Twentieth Century: The Case of Not One Less by Zhang Yimou = 120 PART TWO Poetics, Direcotors, Styles CHAPTER SIX I DAVID BOROWELL Transcultural Spaces: Toward a Poetics of Chinese Film = 141 CHAPTER SEVEN - EMILIE YUEH-YU YEH Poetics and Politics of Hou Hsiao-hsien's Films = 163 CHAPTER EIGHT I XIAOPING LIN Jia Zhangke's Cinematic Trilogy: A Journey across the Ruins of Post-Mao China = 186 CHAPTER NINE I THOMAS V. T. LUK Novels into Film: Liu Yichang's Tete-Beche and Wong Kar-wai's In the Mood for Love = 210 CHAPTER TEN I SHELDON H. LU Crouching Tiger, Hidden Dragon, Bouncing Angels: Hollywood, Taiwan, Hong Kong, and Transnational Cinema = 220 PART THREE Politics, Nationhood, Globalization CHAPTER ELEVEN I DARRELL W. DAVIS Borrowing Postcolonial: Wu Nianzhen's Dou-san and the Memory Mine = 237 CHAPTER TWELVE I SHIAO-YING SHEN Locating Feminine Writing in Taiwan Cinema: A Study of Yang Hui-shan's Body and Sylvia Chang's Siao Yu = 267 CHAPTER THIRTEEN I DAVID DESSER Fists of Legend: Constructing Chinese Identity in the Hong Kong Cinema = 280 CHAPTER FOURTEEN I SHELDON H. LU Hong Kong Diaspora Film and Transnational Television Drama: From Homecoming to Exile to Flexible Citizenship = 298 CHAPTER FIFTEEN | CHU YIU WAI Hybridity and (G)local Identity in Postcolonial Hong Kong Cinema = 312 CHAPTER SIXTEEN | GINA MARCHETTI Global Modernity, Postmodern Singapore, and the Cinema of Eric Khoo = 329 JING NIE Filmograpy = 363 JING NIE Chinese Glossary = 371 JING NIE Bibliography = 377 Notes on Contributors = 399 Index = 403

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