Film Art

Part One: Film Production Chapter One. The Work of Film Production = 3 Technical factors in film production = 3 Social factors in film production = 7 Notes and queries = 19 Part Two: Film Form Chapter Two. The Significance of Film Form = 27 The' concept of form in film = 27 Principles of film form = 39 Notes and queries = 45 Chapter Three. Narrative and Nonnarrative Formal Systems = 47 Nonnarrative forms = 47 Narrative form = 50 Dividing a film into parts = 60 Narrative form in Citizen Kane = 60 Notes and queries = 69 Part Three: Film Style Chapter Four. The Shot: Mise-en-Scene = 75 What is mise-en-scene? = 75 Realism = 75 The power of mise-en-scene = 76 Aspects of mise-en-scene = 77 Mise-en-scene in space and time = 86 Narrative functions of mise-en-scene: Our Hospitality = 90 Summary = 95 Notes and queries = 96 Chapter Five. The Shot: Cinematographic Properties = 99 The photographic image = 99 Framing = 109 Duration of the image: the long take = 137 Summary = 141 Notes and queries = 142 Chapter Six. The Relation of Shot to Shot: Editing = 151 What editing is = 151 Dimensions of film editing = 153 Continuity editing = 163 Alternatives to continuity editing = 173 Summary = 183 Notes and queries = 184 Chapter Seven. Sound in the Cinema = 189 The powers of sound = 189 Fundamentals of film sound = 192 Dimensions of film sound = 195 Functions of film sound: A Man Escaped = 207 Summary = 216 Notes and queries = 216 Chapter Eight. Style as a Formal System: Summary = 221 Part Four: Critical Analysis of Films Chapter Nine. Film Criticism: Sample Analyses = 233 Narrative unity = 234 Ambiguity = 248 A nonclassical approach to narrative, space, and time = 257 Disunity = 263 Form, style, and ideology = 268 Part Five: Film History Chapter Ten. Film Form and Film History = 289 Introduction = 289 Early cinema (1893-1903) = 290 The development of the classical Hollywood cinema (1903-1927) = 293 German Expressionism (1919-1924) = 298 French Impressionism and Surrealism (1917-1930) = 301 Soviet montage (1924-1930) = 306 Summary: international stylistic trends of the late silent cinema = 309 The classical Hollywood cinema after the coming of sound = 312 Italian neorealism (1942-1951) = 316 The New Wave (1959-1964) = 318 Bibliography = 322 Credits = 327 Index = 329

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