The Visual Artist's Business and Legal Guide

기본 정보

본제목

The Visual Artist's Business and Legal Guide

부제목

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대등제목

-

국가구분

국외

생산일자

1994-**-**

언어

영어

크기(mm)

213 x 275

페이지

338쪽

ISBN/ISSN

0133045935

판차

4th ed.

마스터파일

-

생산자

Gregory T. Victoroff (저자), Prentice Hall (발행처)

내용

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목차

목차

Introduction = xii Acknowledgements = xiii LEGAL PROTECTION FOR ART AND ARTISTS　　1-82 Copyright: An Artist's Tool Stephen F. Rodhe　　　2-19 　The Copright Office = 3 　The "New Copyright Act" = 3 　Definition of Copyright = 4 　Works Protected by Copyright = 4 　Material Not Protected by Copyright = 5 　Dividing and Licensing Copyright = 6 　Claiming Copyright = 7 　Securing a Copyright = 7 　Definition of Publication = 7 　Proper Copyright Notice = 8 　Placement of the Copyright Notice = 9 　Affixing the Copyright Registration = 10 　Benefits of Copyright Registration = 11 　Procedure to Register a Copyright = 11 　Length of Copyright Protection = 13 　Transfer of Copyright = 13 　Termination of a Copyright Transfer = 14 　Copyright Infringement = 14 　The "Fair Use Doctrine" = 15 　Copyright Registration Form VA = 16 Protecting Postmodern Art Steven Shonack　　　20-23 　A Landmark Infringement Decision = 20 　Effects of Infringement Remedies on Postmodern Art = 21 　Postmodern Art After Rogers v. Koons = 22 　Conclusion = 23 Registration of Copyrights in Textile Designs Louise Nemschoff　　　24-26 The Visual Artists' Rights Act Katherine M. Thompson　　　27-33 　Summary of the VARA = 27 　Criticism of the VARA = 29 　Preemption of the VARA Over State Statues = 31 　Resale Royalty Right = 31 Defining Art: A Legal Perspective Peter H. Karlen　　　34-42 　Problems in Legal Definitions = 34 　Pictorial, Graphic and Sculptural Works = 35 　Work of Visual Art = 36 　Work of Fine Art = 37 　Work of Art = 38 　Painting = 38 　Drawing = 39 　Sculpture = 39 　Limited Edition Multiples = 40 　Conclusion = 41 Regulation of Fine Art Multiples Katherine M. Thompson　　　43-50 　California Laws = 43 　New York Laws = 46 　Michigan Laws = 47 　Arkansas, Hawaii, Illinois, Maryland, Minnesota and Oregon Laws = 48 　Criticism = 49 　Conclusion = 50 Art Destruction: An Overview Peter H. Karlen　　　51-62 　Kinds of Injuries = 52 　Moral and Other Rights = 53 　Preventative Measures Taken by Artists = 60 　Conclusion = 62 Photography and Law Gregory T. Victoroff　　　63-82 　Copyright: A Bundle of Rights = 63 　Federal Moral Rights and Photography = 66 　Privacy = 67 　Defamation = 70 　Obscenity/Censorship = 71 　Contracts and Business Practices = 72 　Insurance = 76 　Assault and Battery = 77 　Adult Release = 78 　Simplified Adult Release = 78 　Minor Release = 79 　Property Release = 80 　Stock Photography Delivery Memo = 81 CONTRACTS AND BUSINESS PRACTICES　　83-156 Contracts: Get Them in Writing Susan A. Grode and Debra L. Fink　　　84-85 Analysis of an Exclusive Gallery and Publishing Agreement Gregory T. Victoroff　　　86-100 Artist Consignment Contracts Madeleine E. Seltzer　　　101-107 　Key Contract Issues = 102 　Bill of Sale for a Work of Art = 104 　Artist/Gallery Consignment Agreement (Short Form) = 105 　Short Form Artist/Gallery Receipt of Consigned Artwork = 107 　Sample Short Form Statement of Account = 107 Analysis of a Contract for Mural or Other Public Art Amy L. Neiman and Karen D. Buttwinick　　　108-119 　Funding for Public Art = 109 　Contract Negotiations = 110 　Sample Contract for Mural or Other Public Art = 111 The Artist's Reserved Rights Transfer and Sale Agreement Robert Projansky　　　120-126 　What the Contract Does = 120 　When to Use the Contract = 121 　How to Use the Contract = 121 　Resale Procedure = 122 　The Dealer = 122 　You, the Art World and the Contract = 123 　Enforcement = 124 　Agreement of Original Transfer of Work of Art = 125 　Transfer Agreement and Record = 126 　Specimen Notice = 126 　Sample Notice to Purchaser of Resale Royalties and Moral Rights(Art Preservation) = 126 Analysis of an Artist and Representative Agreement Ron Bakal　　　127-134 　Sample Artist and Representative Agreement = 127 Contracts for Employment Paul D. Supnik　　　135-149 　The Artist as Initial Owner of Creative Works = 135 　Works Made for Hire = 135 　Commissioned Works = 137 　Contracts for Ideas = 139 　Written Employment Agreements = 140 　Independent Contractor or Employee = 143 　Analysis of a Work for Hire Agreement = 144 Analysis of a Museum Exhibition Agreement Eileen L. Selsky　　　150-156 　Museum Exhibition Agreement = 150 SELLING YOUR WORK　　157-212 Portfolios and Other Promotional Tools Nat Dean　　　158-168 　Initial Considerations = 158 　Portfolio Components = 159 　Postcards = 167 　Portfolio Folders and Binders = 167 　Methods of Delivery and Return = 168 　Insurance = 168 Promotion and Marketing Nat Dean　　　169-182 　Pricing = 170 　Getting the Word Out = 171 　Who Pays for Promotional Costs? = 179 　Competitions = 179 Obtaining Gallery Representation William Turner　　　183-188 　Misconceptions on How to Get Started = 183 　Objectives of the Artist-Gallery Relationship = 184 　How to Choose a Gallery = 184 　Take a Career Approach = 185 　Approaching Galleries-Network, Network, Network = 187 　Conclusion = 188 Packing and Shipping Artwork Marlene Weed　　　189-199 　Handling = 189 　Packing = 192 　Insurance = 196 　Professional Packers and Shippers = 198 　Shipping by Common Carriers = 198 Museum Accession Policies Andrea Miller-Keller　　　200-203 　Accessioning Processes = 200 　How to Initiate Contact With a Museum = 201 　Payment and Pricing Policies = 202 　Nonmonetary Considerations = 202 　Policies Regarding Use and Other Rights = 203 Art Fraud: Scams, Counterfeits, Fakes and Forgeries Gregory T. Victoroff　　　204-211 　Counterfeiting = 205 　Forgery = 205 　Reproductions or Fakes = 206 　Fake Certificates = 207 　Mail Order, Telemarketing Scams = 207 　Appropriations = 207 　Art Theft, Investment Scams and Insurance Fraud = 207 　Fraudulent Appraisals, Valuations and Attributions = 208 　Legal Remedies = 208 　Practical Tips to Avoid Art Fraud = 209 LICENSING VISUAL ART　　213-236 Licensing and Merchandising a Work of Visual Art Susan A. Grode　　　214-215 Licensing Rights to Use a Work of Visual Art Gregory T, Victoroff　　　216-229 　Copyright Ownership = 216 　Ownership of Original Artwork = 217 　Privacy Rights = 217 　Practical and Ethical Considerations = 217 　Agreements: Get Them in Writing = 219 　Parties, Property, Performance and Price = 220 　Licensing Use Checklist = 228 Artworks in the Digital Era Robert C. Lind　　　230-236 　Current Digital Uses of Graphic Images = 232 　The Licensing or Assigning of Graphic Images = 233 　Reliance on Existing Agreements = 235 　Conclusion = 236 THE ECONOMICS OF ART　　237-278 Grant Writing and Other Fund Raising Strategies Elaine Wintman　　　238-250 　Friend Making and Fund Raising = 238 　Mapping the Terrain = 240 　Researching Potential Funding Sources = 242 　Developing Relationships With Funders = 243 　Grantsmanship = 246 　The 1990s and Beyond = 250 When to Hire a Lawyer Gregory T. Victoroff　　　251-255 　Ethics and Professional Responsibility = 252 　Lawyer Referral Services = 252 　Types of Law Firms = 252 　Legal Fees = 253 　Finding a Lawyer = 254 　Retainer Agreements = 255 　Terminating Legal Sevices = 255 Collections: Get the Money Kent C. Liu　　　256-265 　Informal Resolution: Direct Settlements = 256 　Formal Resolution: Alternative Dispute Resolution = 257 　Small Claims Court = 259 　Conclusion = 265 Mediation for Visual Artists Madeleine E.Seltzer　　　266-268 　General Principles = 266 　How Mediation Works = 267 　Mediation: A Process of Best Resort = 268 Artists and Insurance Peter H. Karlen　　　269-278 　Insuring One's Work = 270 　Liability Insurance = 273 　Disability, Dismemberment and Medical Insurance = 276 　Selection of Insurance = 277 　Policy Responsibilities = 278 　Conclusion = 278 RESTRICTIONS ON CONTENT　　279-310 Art, Sex and Protest: Censorship and Freedom of Artistic Expression Stephen F. Rohde　　　280-295 　Obscenity: Miller v. California = 281 　Anthony Comstock and Rev. Donald Wildmon = 281 　Mapplethorpe in "Censornati" = 282 　2 Live Crew in Broward County = 284 　"The Censorship Movement in America is Flourishing" = 286 　Pornography Victims Compensation Act = 287 　Censorship of Flag Art = 289 　Censorship of the National Endowment for the Arts = 290 　Conclusion = 295 Ten Commandments for the Fight Against Censorship Dave Marsh　　　296-298 The Visual Artist and the Law of Privacy Robert C. Lind　　　299-309 　Privacy Protection = 299 　Public Disclosure of Private Facts = 300 　False Light Invasion of Privacy = 302 　Intrusion = 303 　Appropriation/Right of Publicity = 304 APPENDICES　　311-338 Artists' Resource Appendix　　　312-315 Selected Bibliography　　　316-319 Contributors　　　319-321 Index　　　322-337 About Jerome Headlands Press　　　338

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