keywords in subversive film/media aesthetics

Acknowledgments = vii Introduction = 1 1.An Aesthetics of the Commons = 29 The Aesthetic Commons = 30 From Columbus to Indigenous Media = 32 First Peoples, First Features = 37 The Storytelling Commons = 42 Revisionist Adaptation and the Literary Commons = 47 Cultural Indigenization = 53 The Archival Commons and the Ab]original Musical = 58 2. The Upside]Down World of the Carnivalesque = 68 The People’s Second Life = 68 Sacred Parody = 72 Festive]Revolutionary Practices = 76 Unruly Women = 79 Polymorphous Celebrations = 83 Stand]up Comedy and Nuclear Catastrophe = 86 Contemporary Fools = 90 Pedagogic Humor and Provocation = 94 Tropes of Social Inversion = 98 Offside Cinema = 100 3. Political Modernism and Its Discontents = 107 The Two Avant]Gardes = 108 The Brechtian Legacy = 110 Beyond Brecht = 120 The Affective]Corporeal Turn = 126 The Rediscovery of Pleasure = 133 The Legacy of the V]Effect = 136 Political Cinema in the Age of the Posts = 139 4. The Transmogrification of the Negative = 145 An Aesthetic of Mistakes = 146 Third Cinema: From Hunger to Garbage = 148 Sublime Detritus = 154 The Recombinant Sublime = 158 Anthropophagic Modernism = 161 Situationist Détournement = 165 Culture Jamming = 168 Neo]Situationism and the Aesthetics of Failure = 171 Media Jujitsu = 175 The New Kino]Eye: Vision Machines = 178 5. Hybrid Variations on a Documentary Theme = 185 The Fiction–Documentary Continuum = 185 Murderous Reenactments = 189 The Mediatic Spectrum = 193 From Representation to Self]Presentation = 199 The Strategic Advantages of Hybridization = 206 Performative Films = 211 The Essay Film and Mockumentaries = 215 6. Hollywood Aristotelianism, the Fractured Chronotope, and the Musicalization of Cinema = 225 Hollywood Aristotelianism: the Orthodox Chronotope = 225 Alternatives to Aristotle: the Menippean Strain = 233 Pop Culture Anachronism and the Chronotope of the Road = 239 Baroque Modernism and the Marvelous American Real = 244 Trance]Modernism = 246 Contrapuntal Variations = 251 Transformative Becomings = 258 The Shape]Shiftings of Popular Culture = 266 Metaphysical Cine]Poetry = 268 7. Aesthetic/Political Innovation in the Digital Era = 276 Beyond Accelerationism: Digital Montage and Duration = 282 Tools of Engagement: Interactivity and Digital Détournement = 285 IRL Subversions: Tactical Media and Digital Materialism = 288 In Guise of a Conclusion = 292 Index = 298

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