The Major Film Theories

기본 정보

본제목

The Major Film Theories

부제목

An Introduction

대등제목

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국가구분

국외

생산일자

1976-**-**

언어

영어

크기(mm)

135 x 203

페이지

278쪽

ISBN/ISSN

0195019911

판차

초판

마스터파일

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생산자

J. Dudley Andrew (저자), Oxford University Press (발행처)

내용

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목차

목차

Introduction = 3 The Subject = 3 The Method = 6 I. THE FORMATIVE TRADITION = 11 1. HUGO MUNSTERBERG = 14 Matter and Means = 15 Form and Function = 20 2. RUDOLF ARNHEIM = 27 Material = 28 The Creative Use of the Medium = 31 Film Form = 33 The Purpose of Film = 35 3. SERGEI EISENSTEIN = 42 The Raw Material of Film = 45 Cinematic Means: Creation Through Montage = 51 Film Form ST The Art Machine 60; The Organic Analogy = 64 The Final Purpose of Film 68; Rhetoric 68; Art = 71 4. BELA BALAZS AND THE TRADITION OF FORMALISM = 76 A Summary of Formative Film Theory = 76 Russian Formalism = 79 Bela Balazs = 84 The Raw Material of Film Art = 86 The Creative Potential of Film Technique = 88 Cinematic Shape or Form = 93 Cinematic Functions = 97 II. REALIST FILM THEORY = 104 5. SIEGFRIED KRACAUER = 106 Matter and Means = 107 Compositional Forms = 114 The Purpose of Cinema = 125 Rebuttals = 129 6. ANDRÉ BAZIN = 134 The Raw Material = 137 Cinematic Means and Form 141; Bazin versus Traditional Theory 141; The Plastics of the Image 146; The Resources of Montage = 155 The Uses and Misuses of Montage: Cinematic Purposes = 164 The Function of Cinema = 170 III. CONTEMPORARY FRENCH FILM THEORY = 179 7. JEAN MIT RY = 185 The Raw Material = 188 Creative Potential in Film = 192 The Form and Purpose of Cinema = 205 8. CHRISTIAN METZ AND THE SEMIOLOGY OF THE CINEMA = 212 The Raw Material 216; Of Semiology 216; Of Film = 217 The Means of Signification in Cinema 219; Film Is Not a True Language 219; Nevertheless Film Is Like a Language 223; 1. Code/Message 224; 2. System/Text = 227 The Forms and Possibilities of Film = 230 Semiology and the Purposes of Film = 236 9. THE CHALLENGE OF PHENOMENOLOGY: AMÉDÉE AYFRE AND HENRI AGEL = 242 NOTES = 255 BIBLIOGRAPHY = 261 INDEX = 273

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