Film and the Critical Eye

Part One 1. Viewing a Film = 3 2. Interpreting a Film = 10 Part Two 3. The Language of Film = 19 4. The Rhetoric of Film = 32 Part Three 5. The Last Laugh ― MURNAU = 49 Perspective: The Silent Film = 50 Story and Characterization = 53 Themes and Interpretations = 54 Analysis of Major Sequences = 56 Style and Approach = 72 6. The Gold Rush ― CHAPLIN = 76 Plot, Characterization, and Themes = 76 Analysis of Major Sequences = 86 Style and Approach = 103 7. M ― LANG = 104 Perspective: Sound in Film = 105 Story and Characterization = 107 Themes and Interpretations = 111 Analysis of Major Sequences = 113 Style and Approach = 131 8. Grand Illusion ― RENOIR = 137 Story and Characterization = 138 Themes and Interpretations = 140 Analysis of Major Sequences = 142 Style and Approach = 166 9. The Rules of the Game ― RENOIR = 170 Story and Characterization = 171 Themes and Interpretations = 176 Analysis of Major Sequences = 177 Style and Approach = 201 10. Beauty and the Beast ― COCTEAU = 203 Perspective: Realism Versus Fantasy, Expressionism, and Surrealism in Cinema = 204 Story and Characterization = 209 Themes and Interpretations = 212 Analysis of Major Sequences = 219 Style and Approach = 234 11. Rashomon ― KUROSAWA = 243 Perspective: National Cinema = 244 Story and Characterization = 247 Themes and Interpretations = 250 Analysis of Major Sequences = 251 Style and Approach = 269 12. La Ronde ― OPHULS = 272 Perspective: On Style = 273 Analysis of Major Sequences = 277 Themes and Characterization = 275 Style and Approach = 287 13. The Seventh Seal ― BERGMAN = 290 Story, Characterization, and Themes = 291 Analysis of Major Sequences = 301 Style and Approach = 325 14. Wild Strawberries ― BERGMAN = 329 Story = 330 Analysis of Sequences = 331 15. Ashes and Diamonds ― WAJDA = 362 Plot, Characterization, and Themes = 363 Analysis of Major Sequences = 372 Style and Approach = 393 16. L’Avventura ― ANTONIONI = 396 Story and Characterization = 397 Themes and Interpretations = 402 Analysis of Major Sequences = 403 Style and Approach = 427 17. Il Posto ― OLMI = 430 Perspective: Neorealism = 430 Story and Characterization = 433 Themes and Interpretations = 434 Analysis of Major Sequences = 435 Style and Approach = 455 18. Jules and Jim ― TRUFFAUT = 458 Perspective: The New Wave = 459 Story and Characterization = 461 Themes and Interpretations = 464 Analysis of Major Sequences = 464 Style and Approach = 483 19. Notes on Six Films = 487 Forbidden Games ― CLÉMENT = 487 Shoot the Piano Player ― TRUFFAUT = 491 Knife in the Water ― POLANSKI = 495 The Servant ― LOSEY = 500 The Caretaker ― DONNER = 504 Le Bonheur ― VARDA = 508 Biographies and Filmographies = 513 Bibliographies = 527 Index = 537

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