Multivision

Introduction = 1 1 MULTIVISION, SLIDE TAPE, THE MULTIPLE MEDIUM = 3 Formats; Picture shape; Cinema screening; Further variations; Three projectors; More projectors; Two screens; Three screens; More and more; Rear projection; Varied image sizes; Unusual shapes; Mobile screens; Adding movies; Sound; Lighting .... and more; Uses. 2 APPLICATIONS OF MULTIVISION = 20 Components of audiovisual presentations; Business presentation; Reasons for presentation; Control your show; Training seminar; Integrated systems; Why use audiovisual in training; Tourist venue interpretation; The location; The exhibition show; Specific objectives; The attention-getting show; The informational show. 3 PROJECTING THE IMAGE = 32 The S-AV 2000; Power supply; Ventilation; Lamps; Condensers; Older carousels; Slide changing; Remote control; The Kodal Ektagraphic projector; Projection lamp; Lamp replacement; Optical system; Controls; Slide trays; How the automatic slide projector works; Common faults and cures; Long run applications; Servicing; igh power projection; Fade/dissolve xenon projectors; Projection lenses; Basic projection optics; Condenser systems; Projector lenses; Calculating projection distances; Calculating correct size of lens; Calculating picture width and height; Slide apertures; Types of lenses; Projector mounting; Image illuminance; Subjective tests. 4 REAR PROJECTION SCREENS = 62 Problems; Gain; Uneven illumination; Reflected light; Construction of rear projection screens; Screen divisions; Why use rear projection?; Rear projection cabinets; Cabinet designs; Two-projector cabinets; Construction; Alignment. 5 CONTROL SYSTEMS = 75 The dissolve unit; Projector control functions; Remote control; Main features; Snap changes; Greater dissolve control; Pulse dissolve units; Timing dissolves; Setting up; Integral dissolve units; Autopresent systems; The scope of autopresentation; Equipment; Operation; Control tapes; Two-programmes; Multiple commentaries; Multiscreen autopresent; Power switching; Timing shows; Lighting effects; Limits of the standard system; Individual projector control units; Command channels; An example; Inside the system; Digital control of lamp brightness; Slide advance; Performance control unit; Houselight dimming; Automatic control of movie projectors; Control: stopping and starting; Control: synchronization. 6 ENCODING SYSTEMS = 102 Tape recordings; Manual control; Punched tape programming; Magnetic tape programming; Continuous tone programming; Pulse tone programming; Digital encoding; Memory encoding; Real computer encoding; Types of encoding systems in current use; Cueing the programme; Cue sheets. 7 SCRIPTWRITING = 120 Diversity is essential; The script; Dramatic tension; Movement; Pace; Essential ingredients; The multivision medium; The content of the show; Start at the beginning; Develop the outline; A treatment; The first draft; Presenting the script; The storyboard; The soundtrack; Visual effect; Work on the storyboard; Plotting tension. 8 GRAPHICS = 133 Audiovisual requirements; Remember the context; Artwork categories; Lettering; Adding animation; Backgrounds; Maps; Sequences; Graphic style; Strip cartoons; Artwork sizes; TV ‘safe title area’; Lettering sizes—general guide; Lettering sizes—the academic approach; Typewritten lettering; Computer-generated graphics; Registrationphotography; The copy stand; The copy table; The artwork table; The camera; Remote controls; Exposure; Colour temperature control. 9 SLIDES = 151 Mounting; Numbering; Storage; Storage envelopes; Storage cabinets; Duplication; Front projection; Rear projection; Extension tubes; Light box; Slide duplicator; Exposure; Optical printer; Desk top models. 10 SOUND RECORDING = 166 Tape base; Tape coatings; Track width; Tape speed; Splicing; Tape recorders; Recording meters; Cartridges; Microphones; Directional response; Distortion and frequency response; Durability; Size, appearance and cost;Handling microphones; Purchasing microphones. 11 SPONSOR’S GUIDE = 177 The producer’s role; The visual medium; Film; Video; Multivision; Trade exhibitions; Sales conferences; Visitor’s centre; Equipment; Media are not interchangeable; Costs; Choosing a producer; Contracts; The format of the show; Production time; Single-screen production: a day-by-day account. 12 IN-HOUSE PRODUCTION AND PRESENTATION = 193 There can be problems; The right approach; Realistic planning; Basic requirements; Production equipment; Registration photography; Sound recording; The first showing; A good start; Starting out; Scripting; Photography; Graphics; Handling the slides; Putting the show together; Encoding; The sound laboratory; The communications room; Designs for audiovisual; The control panel. Appendix 1: The SI unit system = 210 Appendix 2: Projection charts = 215 Appendix 3: Superslide coverage = 220 Appendix 4: Projection formats = 221 Appendix 5: Tape playing times = 222 Appendix 6: Movie film data = 223 Appendix?: World electricity supply guide = 224 Appendix 8: Plugs and sockets = 238 Glossary = 239 Index = 250

펼치기