A Casebook on Film

How To Use This Casebook = ⅲ Introduction = 3 Theory of Film DEFINING THE FORM "Style and Medium in the Motion Pictures"―Critique (January-February, 1947) / Erwin Panofsky = 9 "The Film Age"―from The Social History of Art / Arnold Hauser = 23 "The Surfaces of Reality"―Film Quarterly (Fall, 1964) / Michael Roemer = 37 "Cinema as an Art Form"―New Directions (1946) / Maya Deren = 47 "A Note on the Movies"―Encounter (March, 1960) / Nicola Chiaromonte = 56 MAKING FILMS "The Fall and Rise of the Film Director"―from Interviews with Film Directors / Andrew Sarris = 63 "The Writer and the Film"―from Creat Film Plays / Dudley Nichols = 71 "On Cinema Acting"―from Film Technique and Film Acting / V.I. Pudovkin = 78 "Handling the Camera"―from Footnotes to the Film / Basil Wright = 85 "Editing"―from Novels into Film / George Bluestone = 94 "Seeing with the Camera"―Hollywood Quarterly (1946) / Irving Pichel = 99 PERSPECTIVES FOR CRITICISM "A Critical Credo"―from Private Screenings / John Simon = 107 "The Critical Question"―Sight and Sound (Autumn, 1960) / Penelope Houston = 116 "The New Hollywood: Myth and Anti-Myth"―Film Quarterly (Spring, 1959) / Robert Brustein = 126 "The Gangster as Tragic Hero"―from The Immediate Experience / Robert Warshow = 133 Theory Applied THE GRADUATE "Cum Laude"―The New Republic (December 23, 1967) / Stanley Kauffmann = 141 "Calling Dr. Spock!"―The New York Review of Books (March 28, 1968) / Edgar Z. Friedenberg = 148 "The Graduate"―Film Quarterly (Spring, 1968) / Stephen Farber ; Estelle Changas = 154 "The Graduate"―The New Yorker (July 27, 1968) / Jacob Brackman = 160 BONNIE AND CLYDE "Two Views"―Newsweek (August 21 and 28, 1967) / Joseph Morgenstern = 175 "Bonnie and Clyde"―from Kiss Kiss Bang Bang / Pauline Kael = 179 "Bonnie and Clyde"―The Hudson Review (Spring, 1968) / Charles Thomas Samuels = 194 "Foggy Bottom"―The Antioch Review (Fall, 1968) / Jerry Richard = 201 BLOW-UP "A Bit Overblown"―from Private Screenings / John Simon = 207 "Watching Antonioni"―Commentary (April, 1967) / Robert Garis = 212 "Blow-Up: Antonioni and the Mod World"―Cross Currents (Spring, 1967) / James F. Scott = 216 "The Blow-Up: Sorting Things Out"―The American Scholar (Winter, 1967-68) / Charles Thomas Samuels = 224 SELECTIVE GLOSSARY = 238 PAPERS AND PROJECTS = 242 SELECTIVE BIBLIOGRAPHY = 249

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