The Sponsor's Guide to Filmmaking

About the Book = v ONE: Sponsoring a Movie = 1 The Mystique of Movie-Making = 3 Examples of Films that Misfired = 4 The Producer's Responsibilities—and Yours = 8 Loans, Rentals, and Sales = 12 TWO: Choosing a Producer = 13 Ten Tips on Making Your Selection = 13 THREE : Defining Your Audience = 19 Different Kinds of Audiences = 19 Films that Hit the Mark = 22 FOUR: How Much Should Your Film Cost? = 25 The Factors in Pricing a Film = 26 Bidding and Its Limitations = 35 FIVE: The Contract and Other Practicalities = 37 Contract With Producer = 37 A Sample Contract = 39 Production Insurance = 41 Unions = 43 Releases = 44 Payment to Actors = 45 Copyright = 45 SIX: The Script = 46 The Essence of Film Writing = 46 Research = 48 The Human Element = 49 Story Development = 51 Example of a Treatment = 53 Analyzing the Treatment = 55 The Shooting Script = 58 Cinéma Vérité = 59 Examples of Film Writing = 59 Narrations = 62 Comment by Don Sweet, Scriptwriter = 63 SEVEN: Pre-Shooting Preparations = 64 Locations = 64 Casting = 67 The Crew = 69 Production Schedules = 70 EIGHT: Filming Begins = 73 The Director at Work = 74 The Director and Cinematographer = 75 The Director and Script Supervisor = 75 The Director and Cast = 77 Shooting = 77 The Client During Shooting = 78 Crew Behavior = 79 Dailies = 80 Comment by Joe Lerner, Director = 81 Comment by Ralf Bode, Cinematographer = 82 NINE: Post-Shooting = 83 Separating the Takes = 83 Lab Work = 84 Transferring Sound = 84 Synchronizing the Takes = 85 Choosing the Takes = 86 Comment by Ron Harris, Sound Specialist = 86 TEN: Editing = 88 The Rough Cut—What to Look For = 90 The Advanced Cut—What to Look For = 93 Handling Narrations = 93 Final Cut = 94 Comment by Sarah Stein, Editor = 95 ELEVEN: Completing the Film = 97 Music = 97 Mixing = 98 Opticals = 100 Titles and Credits = 101 Preparation for the Lab = 101 Lab Work to Completion = 104 Answer Prints = 106 Save the Original Materials = 106 Ordering Additional Prints = 108 35mm Blowup from 16mm = 109 Reduction to Super-8mm = 110 Production Photographs = 112 Comment by Rosanne Schaffer, Lab Expert = 113 TWELVE: Promotion and Distribution = 114 Publicity = 115 Flyers = 115 Reviews = 117 Catalog Listings = 117 Premieres = 117 In-House Distribution = 119 Distribution Companies = 120 Distribution to Movie Theaters = 121 Distribution for Television = 122 Distribution to School and College Libraries = 123 Transfers to Videotape = 123 Film Festivals = 125 Comment by Bob Finehout, Distributor = 127 Appendix = 129 Glossary of Cinematic Terms = 129 Film Directories = 137 Professional Organizations = 141 Film Competitions = 143 Major Film Distributors = 144

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