FILM TECHNOLOGY IN POST PRODUCTION

Film Technology in Context Origins of Film and Video Film and Video: the differences Film Versus Video-or Film with Video Digital Film Post Production Pathways Film Versus Video Production Traditional Sprocket Edit, Film Finish Non-Linear Edit, Film Finish Non-Linear Edit, Video Finish Supervision Lab Estimates Insurance, Liability, Troubleshooting Tests Film Stock 35mm Film 16mm Film Types of Colour Film Stock Black and White Film Stocks Film Processing Additive and Subtractive Colour Colour Specification and Perception The Photographic Emulsion Film Emulsion Layers Developing the Image The Processing Sequence Process Control Standards Units of Density Gamma Contrast and Latitude Graininess Black and White Negative Pushing and Flashing Cross-Processing Bleach Bypass (Negative) Alternative Styles of Print Film Printing The Film Printing Machine Colour Correction in Printers Film Grading Techniques Film Grading for Answer Print Lad Exposure and Grading Line-up Film Cleaning Clean-up Processes Wet Gate Printing Work Prints: Negative Reports Work Prints Selecting and Screening Technical Problems at Rushes Negative Matching Keykodes Negative Cutting Preparing for Negative Cutting Cutting to an EDL Extracting Select Negative Splices A- and B- Rolls Laboratory Processes Duplication Emulsion Geometry Super 16: Special Considerations Making the Blow-Up(1) Making the Blow Up(2) Super 35 Other Film Formats Frameline Masking Optical Effects Printers Optical Effects Rostrum Camera Titles Printing from Black and White Mixing Black and White and Colour Footage Archival and Stock Footage Trailers Sound Transfer, Edit, Mix, Sync The Final Mix The Optical Sound Negative and Print Analogue Soundtrack Prints Syncing Picture and Sound Negatives Analogue Soundtrack Quality Digital Soundtracks Grading, Answer Print, Release Prints The Answer Print Release Prints The Film Projector Release Prints in Use Film Storage and Preservation Archival Restoration Telecine Transfers Telecine Machines (1) Telecine Machines (2) Which Format: Tape or Disk? Film and Video Frame Rates Video Transfers: Hybrid Frames Matching Film and Video Frame Counts Timecode Logging Keykodes and Timecodes (1) Logging Keykodes and Timecodes (2) Synchronizing Rushes (1) Synchronizing Rushes (2) Film for Telecine Transfer Grading on Telecine: Rushes Transfers Grading on Telecine: Masters Masking for TV Digital Television and Widescreen Digital Processes Digital Resolution Digital Origination Scanning and Recording Calibrating the Film Recorder Digital Grading Digital Effects for Film Kine Transfers: Video to Film Digital Cinema Glossary and Index.

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