回顾与展望 : 纪念中国电影一百周年国际论坛

第一单元: 发展经验与艺术成就 中国电影理论发展概观 / 胡克 = 001 中国伦理片的世纪传承——从《千里走单骑》和《向日葵》说起 / 倪震 = 005 叙述的政治:左翼电影与好莱坞的上海想象 / ·孙绍谊 = 006 战争风云的银幕表述 / 张东 = 020 呐喊·讴歌·反思——抗战题材电影的演变 / 皇甫宜川 = 031 百年中国喜剧电影扫描 / 饶曙光 = 037 中国武侠电影史:简述与提示 / 陈墨 = 042 刀剑的盛宴——中国功夫电影风雨录 / 王群 = 050 中国纪录电影与动画电影研究:呼吁研究与动画电影简史 / 约翰·A·伦特 = 055 上海美影的影片与中国美学传统 / 纪可梅 = 064 论中国动画学派 / 金天逸 = 068 抗战时期的中国动画电影 / 颜慧、索亚斌 = 075 中国电影的现实主义表演体系初探 / 刘诗兵 = 081 论新中国社会主义经典电影体系 / 尹鸿 = 088 重生:二十世纪七十年代末复映片运动始末 / 吕晓明 = 097 女性导演对中国电影的贡献概述 / 路易莎·布鲁登提诺 = 101 光荣的荆棘路——百年中国儿童电影创作回眸 / 张震钦 = 104 中国电影技术发展概说 / 许浅林 = 117 中国内地与香港电影资料馆的合作 / 唐咏诗、何思颖 = 125 电影档案的历史与未来 / 赵童生 = 129 新世纪中国故事片创作述要 / 王人殷 = 136 百年背景下的新世纪中国电影现实题材分析 / 周星 = 144 作为编剧 / 苏小卫 = 150 景观电影:电影史的又一个幼稚时期 / 颜纯钧 = 153 第二单元: 电影艺术家及其作品 技娴艺湛相得为文——论吴印咸的艺术道路及其电影摄影 / 李少白 = 160 三十不惑:蔡楚生电影观刍论 / 李亦中 = 168 永远青春的孙瑜 / 蓝山羚 = 176 孙瑜导演和他的上海同人们 / 大场正敏 = 180 一九三○年代的上海“城市交响曲”影片 / 贺瑞晴 = 187 世界电影背景下的都市风光 / 李迅 = 196 阮玲玉的生活与时代 / 马浩然 = 197 一九三○年代电影皇帝金焰研究 / 曹福礼 = 203 作为电影理论家的郑君里——对于中国电影史的一个个案研究 / 陈山 = 217 审美观照与现代眼光:刘呐的电影论 / 郦苏元 = 232 格里尔逊与孙明经:介入社会的电影实验 / 张同道、朱颖 = 238 谢晋论——论谢晋电影的政治意识、女性形象和叙事风格 / 陈犀禾、黄望 = 246 有顽强斗志的文人导演张彻 / 黃仁 = 259 冯小刚的贺岁片与好莱坞的暑期片 / 朱颖 = 268 第三单元: 电影产业化与现代化 全球化时代的华语电影: 参照美国看中国电影的国际市场前景 / 骆斯典 = 274 从社会文化学的角度看中国电影近年在西方国家崛起的原因 / 洪浚浩 = 300 现实主义与中国电影发展的途径 / 鲍玉珩 = 313 镜与真——论正统电影、商业电影及其电影文化趋向意义 / 丁亚平 = 317 中国电影的博弈时代(1994-2004)——“大片”十年启示录 / 贾磊磊、朱玉卿 = 330 WTO与中国电影的转折 /杨远婴 = 340 文化会盟与中国电影产业的振兴 / 黄式宪 = 341 观众的力量:伤感与传奇 / 张颐武 = 351 从数字化时代电影的形态演变看电影的产业取向 / 熊澄宇、雷建军 = 359 文学形象是发展电影产业的核心动力 / 王兴东 = 366 中国电影巧胜进口大片的科学软件 / 祁海 = 368 中国电影史上的三次产业发展时期 / 沈芸 = 375 透视与整合——全球化与中国电影产业发展策略 / 唐榕 = 381 坚守中国电影的文化身份 / 赵葆华 = 391 第四单元: 中外电影交流与合作 我与中国电影在日本 / 森川和代 = 395 中国电影的国际影响 / 塞尔日·罗西克 = 398 现代性与中国艺术传统的会聚给当代电影带来力量 / 傳东 = 401 中国与前苏联和新俄罗斯的70年电影交流 / 谢·阿·托罗普采夫 = 402 越南人民心中的中国电影 / 陈伦金 = 406 对中美文化交流及在美国大学教授中国电影的价值的思考 / 格莱格·刘易斯 = 408 中奥合拍片: 一项持续的挑战 / 乌尔苏拉·魏德 = 419 早期上海和香港电影的跨界发展与南洋市场开发 / 罗卡 = 426 中韩电影合作之历史与现状 / 都性希 = 435 站在新的百年起点看东亚影视文化生态的新格局 / 余纪 = 400 中外纪录电影交流概况 / 单万里 = 448 Unit One: Experiences and Artistic Achievements of Chinese Cinema A Summary of the Evolution of Chinese Film Theory / Hu Ke = 449 Chinese Ethical Film, An Inheritage of A Century Starting with Riding Alone for Thousands of Miles and Sunflower / Ni Zhen = 450 Politics of Narratives: Imaginations of Shanghai in China's Left Wing Film and Hollywood Film / Sun Shao-Yi = 451 The War on Chinese Screen / Zhang Dong = 452 Whoop, Eulogize, Reflect: Evolution of Films with Theme of the War of Resistance Against Japan / Huangfu Yi-Chuan = 453 A View on Chinese Comedies of the Century / Rao Shu-Guang = 454 A Brief Introduction on Chinese Martial Art Film History / Chen Mo = 455 A Feast of Knives and Swords: The Ups and Downs of Chinese Kongfu Film / Wang Qun = 456 Chinese Documentary and Animation: A Call for Research and Brief History of Animation / John A. Lent = 457 The Films of the Shanghai Art Studio and the Tradition of Aesthetics in China / Marie-Claire Quiquemelle = 468 On the Schools of Chinese Animation / Jin Tian-Yi = 473 Chinese Animation Films during the War of Resistance Against Japan / Yan Hui & Suo Ya-Bin = 474 A Basic Study of the Realistic Performing System in Chinese Cinema / Liu Shi-Bing = 475 On New China's Socialist Classical Film System / Yin Hong = 476 Rebirth: The Re-release Movement in the end of 1970s / Lu Xiao-Ming = 477 The Contributions of Women Film-directors to Chinese cinema: a brief summary / Luisa Prudentino = 478 Glorious Road of Thorns: A Glance at China's Children's Film of A Century / Zhang Zhen-Qin = 482 A Summary of the Technological Development of Chinese Film / Xu Qian-Lin = 483 Cooperation between Film Archives in Mainland China and Hong Kong / Tong Wing-Sze & He Si-Ying = 484 The History and Future of the Film Archiving / Zhao Tong-Sheng = 485 A Summary of the Creation and Production of Chinese Feature Filmsin the New Century / Wang Ren-Yin = 486 Analyze Realistic Subjects in Chinese Cinema in the New Century with A Background of 100 Years / Zhou Xing = 487 As A Screenwriter / Su Xiao-Wei = 488 Spectacle Cinema: Another Juvenile Craze in Film History / Yan Chun-Jun = 489 Unit Two: Film Artists and Film Works of Chinese Cinema On Wu Yinxian's Film Career and Cinematography / Li Shao-Bai = 490 Cai Chu Sheng and Chinese Cinema in 1930s / Li Yi-Zhong = 491 Forever Young Sun Yu / Elisabeth Cazer = 492 Sun Yu and His Shanghai Colleagues / Ohba Masatoshi = 493 City Symphony Films in 1930s Shanghai / Kristine Harris = 503 A View of Metropolis With the Background of World Cinema / Li Xun = 514 The Life and Times of Ruan Ling-yu / Richard J Meyer = 515 A Study of Jin Yan, the Emperor of Shanghai Movies of the 1930's in China / Pock-Rey Cho = 523 Zheng Junli As A Film Theorist: A Case Study on Chinese Film History / Chen Shan = 524 Aesthetical Reflection and Modern Perspective: Liu Na-Ou's Film Theory / Li Su-Yuan = 525 Sun Mingjing and Early Chinese Documentary Filmmaking / Ying Zhu & Tong-Dao Zhang = 526 On Xie Jin: A Study on the Political Ideology, Female Images and Narrative Style of Xie Jin's Films / Chen Xi-He & Huang Wang-Li = 539 Cheh Chang, Intellectual Director with Fighting Spirit / Huang Ting-Cheng = 540 Feng Xiaogang's New Year Films and Hollywood's Event Films / Ying Zhu = 541 Unit Three: Industrialization and Modernization of Chinese Cinema Chinese Cinema in the Era of Globalization: Prospects for Chinese Films on the International Market, with Special Refernce to the United States / Stanley Rosen = 549 The Growing Presence of Chinese Moviesin the United States: A Socio-Cultural Analysis / Jun-Hao Hong = 578 Realism and the Way of Development for Chinese Cinema / Yu-Heng Bao = 593 Mirror and Truth: On Traditional Film, Commercial Film and Their Influences over the Development of Film Culture / Ding Ya-Ping = 599 An Age of Theorem for Chinese Cinema (1994-2004): What We have Learned from Ten Years of Import of Blockbusters / Jia Lei-Lei & Zhu Yu-Qing = 600 WTO and Shift of Strategy of Chinese Cinema / Yang Yuan-Ying = 601 On Cultural Unity and the Revival of Chinese Film Industry On the Trend of Cooperation in Film Industries between Hong Kong, Taiwan and Mainland China / Huang Shi-Xian = 602 Power of Audiences: Sentiment and Legend / Zhang Yi-Wu = 603 A View on Chinese Film's Industrialization Trend from the Perspective of the Transformation of Form or Film in Digital Age / Xiong Cheng-Yu & Lei Jian-Jun = 604 Literary Image Is the Essential Power to Develop the Film Industry / Wang Xing-Dong = 605 What is the Software That Helps Chinese Films Defeat the Imported Blockbusters? / Qi Hai = 606 Three Industrial Developing Periods in Chinese Film History / Shen Yun = 607 On the Strategy of Chinese Film Industrialization and Globalization / Tang Rong = 608 Maintain the Cultural Identity of Chinese Film / Zhao Bao-Hua = 609 Unit Four: Exchanges and Cooperations of World Cinema Chinese Cinema and Me in Japan / Maoligawa Kaziyao = 610 Chinese Cinema's International Influences / Serge Losique = 611 The Convergence between Modernity and Chinese Art Tradition Gives Strength to Contemporary Cinema / Jean-Michel Frodon = 615 China's Cinema Links with the USSR and Russia / Sergey Toroptsev = 616 Chinese Cinema that Stays in the Heart of the Vietnamese People / Tran Luan Kim = 617 Reflections on the Value of Sino-American Cultural Exchanges and of Teaching Chinese Cinema at the University (in the US) / Greg Lewis = 618 Chinese-Austrian Coproductions: A Continuing Challenge / Ursula Wolte = 632 The Cross-border Development and Marketing of South Asia of Early Shanghai and Hong Kong Film / Law Kar = 642 History and Reality of Sino-Korea Cooperation in Filmmaking / Doe Sung Hee = 643 On the New Cultural Eecological Structure in East Asia / Yu Ji = 644 Summary of International Communication between Chinese and Foreign Documentaries / Shan Wan-Li = 645

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