Arab and African Film Making
관리번호 BFM012954
- 실물구분
- 아날로그
- 매체유형
- 도서
- 주제구분
- 영화
기본 정보
- 본제목
- Arab and African Film Making
- 부제목
- -
- 대등제목
- -
- 국가구분
- 국외
- 생산일자
- 1991-**-**
- 언어
- 영어
- 크기(mm)
- 135 x 215
- 페이지
- 264쪽
- ISBN/ISSN
- 0862329175
- 판차
- -
- 마스터파일
- -
- 생산자
- Lizbeth Malkmus, Roy Armes (저자), Zed Books (발행처)
- 내용
- -
목차
Acknowledgement = vi Introduction = vii Part One : Context = 1 1. Cinema under colonialism = 3 The advent of the cinema = 3 The other new media = 7 European filming and recording = 12 European fictional approaches = 16 The colonial film units = 19 Indigenous culture under colonialism = 22 African and Arab literature = 25 The beginnings of Arab film-making = 28 Developments in popular music = 32 Conclusion = 34 2. Cinema after independence =36 Introduction: national identity = 36 Film and literature = 38 Film and popular music = 44 Film and broadcasting = 47 Film and the state = 50 Contexts of production = 55 The individual film-maker = 59 Part Two : Arab Film = 63 3. The epic = 65 Hereos = 65 Marginals = 68 Heroines = 70 Violence = 73 Sport = 74 Anti-hero/ine = 75 Anti-epic = 77 Sample film: Omar Gatlato = 79 Conclusion = 81 4. The comic = 83 Gags = 83 Situations = 87 Analogies = 90 Derision = 91 Sample comedy: four on an important mission = 92 Conclusion = 94 5. The dramatic = 96 Melodrama = 96 Futuwwa = 101 Dissolution = 101 Sample drama: Cairo: central station = 108 Conclusion = 110 6. Scene = 112 Data = 112 Prescripion/description = 114 Metonymy and Metaphor = 117 Egyptian realism old and new = 120 Camera = 124 Sample film: save what we save = 125 Conclusion = 127 7.Sound = 129 Functions = 129 Tensions = 133 Performance = 136 Voice = 140 Sample film: events of the coming year = 143 Conclusion = 145 8. Sign = 148 Madness = 149 Myth = 151 Memory = 154 Figures = 156 Tableaux = 160 Sample film: the drifters = 161 Conclusion = 162 Part Three : African Film = 167 9. Voice = 169 Voices off = 170 Narrative voices = 177 10. Space = 185 The organizing eye = 186 The politics of space = 192 11. Story = 201 Structioral principles = 202 The individual and the group = 210 Documentation = 217 Dictionary of Film-makers = 217 Notes = 237 Bibliography = 246 Index = 259
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