East Asian Film Remakes

INTRODUCTION East Asian Film Remakes – David Scott Diffrient =1 PART I: Re-fleshing the Text: Sex, Seduction, Desire CHAPTER 1. How to Sell a Remake: The Gate of Flesh Media Franchise – Irene González-López = 27 CHAPTER 2. Against Anaesthesia: An Empty Dream, Pleasurable Pain, and the ‘Illicit’ Thrills of South Korea’s Golden Age Remakes – David Scott Diffrient = 49 CHAPTER 3. Two Faces of Seduction: Tragic Heroines and Heroic Victims in Chor Yuen’s Intimate Confessions of a Chinese Courtesan and Lust for Love of a Chinese Courtesan – Andrew Grossman = 73 CHAPTER 4. Japanese Self-Made Film Remakes as Self-Improvement: Professional Desires and DIY Fulfilment, from Panic High School to Tetsuo – Mark Player = 92 PART II: Serialising Ozu: The Enduring Legacy of a Cinematic ‘Tofu Maker’ CHAPTER 5. Definition and Progression: Ozu Yasujirō’s ‘Noriko Trilogy’ – Alastair Phillips = 111 CHAPTER 6. A Remake, But…: Media Infantility in Ozu Yasujirō’s Good Morning – Rea Amit = 124 CHAPTER 7. The Cinema of Serial Vitality: Ozu Yasujirō and Yamada Yoji – Steve Choe = 140 PART III: Revisiting Personal/Political Traumas in East Asian Action Films, Gangster Films and Westerns CHAPTER 8. Opting Out of History: Miike Takashi’s New Graveyard of Honor – Earl Jackson = 157 CHAPTER 9. The Promise of Hokkaidō: Trauma, Violence, and the Legacy of the Imperial Frontier in Lee Sang-il’s Unforgiven – Lance Lomax = 182 CHAPTER 10. Benny Chan’s Connected and the Post-Handover Hong Kong Action Film – Gary Bettinson = 200 CHAPTER 11. Vessels and Cargos: Spaces of Inclusion and Exclusion in Johnnie To’s Drug War and Lee Hae-young’s Korean Remake Believer – Jinhee Choi = 221 PART IV: Local Flavours and Transcultural Flows in East Asian Comedies, Dramas and Fantasies CHAPTER 12. The Power of Healing in Little Forest(s): Cross-Cultural Perspectives on Food, Friendship, and Self-Identity, from Japan to South Korea – Nam Lee = 239 CHAPTER 13. More than Blue and Man in Love: Transnational Korean-Taiwanese Film Remakes as a Facilitator for Taiwan Cinema – Ting-Ying Lin = 257 CHAPTER 14. The Pan-Asian Miss Granny Phenomenon – Jennifer Coates, Hsin Hsieh, Sung-Ae Lee, and Kate E. Taylor-Jones = 272 CHAPTER 15. Remaking in the Age of Chthulumedia: Stephen Chow’s The Mermaid – Kenneth Chan = 291 Index = 314

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