영화의 결말구조에 관한 연구

Basic Information

Title

영화의 결말구조에 관한 연구

Subtitle

임권택 영화를 중심으로

Parallel Title

A Study on the Structure of Closure in Films

Country

국내

Production Date

1997-**-**

Language

-

Size (mm)

-

Pages

120쪽

ISBN/ISSN

-

Edition

-

Master Files

-

Producer

김규찬 (중앙대학교 대학원 영화학과 영화이론전공 석사 논문 저자)

Description

(논문요약)[목적] 일반적으로 영화에서 결말을 갖는 독특한 기능을 살펴보고, 더 나아가 특징적인 결말을 만들어 내는 임권택 감독의 영화를 통해 그의 일관적인 내러티브 유형과 양식적 특징들이 갖는 기능을 살펴보는 것이 본 논문의 목적이다. (영문초록)[영문초록] This thesis is started with the query that whether the structure of closure has a distinct function in films. Also, concentrating on the thematic intention of director who has focused his/her artistic value on the structure of closure. As a basis of these facts, this thesis has examined Lim, Kwon-taek`s films. At last the purpose of this thesis is to examine a distinct function of the structure of closure in films, and from the foundation of this function this thesis has analyzed the coherent narrative patterns and characteristic style of Lim`s films which created peculiar functions in the structure of closure. First of all, to specify a function in the general structure of closure, a concept and functons of the structure of closure are needed. In shaping of a concept of the structure of closure, there are three hypotheses required. In the first place, there is always a closure in narratives. Secondly, that closure has a structural inner completeness containing resolution or irresolution of confilct in a narrative. Thirdly, it will produce a variety of effects, and has such a wholeness. Following these hypotheses, the concept of the strucrure of closure in films is the latest section of a film which contains a inner unifying force accompanying a whole structure, and creates artistic effects by closing confilcts in narratives. Accompanying the concept, the range of the structure of closure can bemeasured. It can not be limited in a view of the classical narratives, but considered by the change of characters` emotion. After all, in order to retain a inner order and a self-regulational determination, the range is limited from a event which causes changes of characters` emotion to the last. The structure of closure will notify the end of a film and make a sense of `finality` depending upon the patterns of that structure. The patterns of the structure of closure are roughly classified to `open form` and `closed form`. These patterns will regard upon resolution or irresolution of conflicts in narratives. In closed form, the structure produces a finality of convergence and stableness. Besides in open form, it makes a finality of divergence of unstableness. Especially open form induces a interpretative interrupt of spectators and produces quite different patterns of the structure concerning interpretative approaches. Nonetheless, these patterns are determin ed by director`s thematic intention eventually. So, it can be said that through the structure of closure will a director deliver his/her artistic value and it is another function of the structure of closure. The function of delivery of a director`s thematic intention through the structure of closure and the notion of `Auteur` who expreesses a coherent theme and style will together provide a possiblity of auteur study on the structure of closure in film. Particularly Andrew Sarris` "The Auteur Theory" justifies analyzing Lim, Kwon-taek`s films, which has coherent narrative but lacks of coherence in terms of narration more or less. In this perspective, Sarris` Auteur theory has been better used for analyzing the coherent and distinct structure of Lim`s films than made him a Auteur. To examine the functions of the structure of closure in film, following Lim`s films below have been analyzed. , , , and In the result, the structure of closure of Lim`s films are closed from a thematic point of view but prefer a open form of narrative. The effects of this structure are producing the expectations arising from transferring characters` psychological status to new phase, at the same time relatively prominent theme to narrative makes spectators go beyond the end mark. Eventually, the structure of closure of Lim`s films excites the spectators to participate with narrative through the `closed theme`. Lim`s structure of closure is inclined to deviate from the classical narrative schema. He also has used `flashbacks` to intensify theme and it makes a particular style.

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