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Literature

2000년대 후반 한국 영화에서의 유사가족 관계에 관한 연구

Management No. TKC03676

Physical/Digital
아날로그
Media Type
논문
Subject
연구기술

Basic Information

Title
2000년대 후반 한국 영화에서의 유사가족 관계에 관한 연구
Subtitle
-
Parallel Title
-
Country
국내
Production Date
2010-**-**
Language
한국어
Size (mm)
-
Pages
83
ISBN/ISSN
-
Edition
-
Master Files
-
Producer
강나영 (동국대 영상대학원 Film Studies 석사 논문 저자)
Description
(논문요약)[영문초록] As we know, all fields of the study in contemporary have diversity. Many scholas agree to acknowledge diversity, especially for discussing family.Not only that Family members have been constantly changing but also whole family. And so, a family and its members features variability and diversity. Family influences all fields, and it is taken too. Especially, family relation in Korean society experienced a major change when they faced a national crisis, IMF. The chage of Korean family stucture that was caused by lost of prestige and status of patriarch can be interpreted in crisis of patriarchal system and crisis of masculinity. Crisis of patriarch and broken patriarchy lead to crisis of family and dissolution of family structure in a society which had been regarded patriarch as a head of family. In this situation, family in Korean film began to be restructured. It means restructuring family system functions as a strategy to overcome hardship of family and society. Thus, Korean film began to utilize the family more actively since the late 1990s. Represented Family in Korean Film has shown crisis of family, dissolution of family and restructure of family through various family form. Family form variously represented offers foundation to respect the diversity in Korean society. It is a testing process of restructuring dissolved family. Many people have a wrong premise when they discuss the future in family.They compare a familiar nuclear family with vague notion and assume that other kinds of family form can replace a nuclear family. But it is not that particular family form can replace another. Forms of living together or living apart would be various and it would be coexistent In this point, Quasi-family is the testing process as alternative to the family. There is no distinct definition of family. When we regard that family is not unchangeable but a process of continuous changing, we can approach Quasi-family as alternative to the family. The purpose of this study is to discuss family of reality and to overcome the contradiction of family through family represented in Korean film, and to recognize coexistence of various family form through Quasi-family.

Contents

Ⅰ. 서론 = 1 1. 연구목적 = 1 2. 선행연구 및 문제제기 = 6 Ⅱ. 근대적 핵가족, 유사가족, 그리고 ‘대안가족' = 11 1. 근대적 핵가족의 신화 = 11 2. 유사가족 정의의 문제 = 14 (1) 애정적 보살핌에 대한 요구 = 28 (2) 유사가족에 대한 정의 = 20 3. ‘대안가족’의 문제 = 22 4. 분석대상 = 27 Ⅲ. 한국 영화에 재현된 유사가족의 형태 = 29 1. 무너진 근대적 핵가족의 신화 : <똥파리> = 29 2. 핏줄 없는 가족 : <호로비츠를 위하여> = 37 3. 유사가족으로써의 스포츠 팀 : <우리 생애 최고의 순간>과 <국가대표> = 45 (1) 팀 결성 : 그들 각자의 이유 = 49 (2) 훈련 과정 : 그들이 가족이 되어가는 과정 = 54 (3) 경기 결과 : 팀을 통해 그들이 얻게 된 것 = 64 Ⅳ. 왜 유사가족인가? = 68 Ⅴ. 결론 = 72 <참고문헌> = 74 <ABSTRACT> = 82

Holdings Information 1

TKC03676_01

Source
국회도서관
Acquisition Method
기증
Acquisition Date
2010-10-06
Group Information
-
Access
On-site Access
Copy/Rental
-
Storage Location
영상도서관(상암)

Linked Information

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