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Literature

악흥의 순간 : 디지털 단편영화 <악흥의 순간> 제작과정 연구

Management No. TKC03656

Physical/Digital
아날로그
Media Type
논문
Subject
연구기술

Basic Information

Title
악흥의 순간 : 디지털 단편영화 <악흥의 순간> 제작과정 연구
Subtitle
-
Parallel Title
-
Country
국내
Production Date
2010-**-**
Language
한국어
Size (mm)
-
Pages
125
ISBN/ISSN
-
Edition
-
Master Files
-
Producer
김영진 (대진대 문화예술전문대학원 영상제작 석사 논문 저자)
Description
(논문요약)[영문초록] <Moments Musicaux>, a digital short film, displays the emotion of “passion.” The objective of producing this film is to cause catharsis among several functions of movies. In other words, this goal of producing this movie is to investigate passion, a required factor in the process of releasing emotions carried in the mind of audiences. <Moments Musicaux> proceeds on the basis of music in non-narrative patterns. Music has the ability to represent and induce emotions more actively beyond the limit of the expression of human’s language. Accordingly, with the use of music, this film made an effort to show emotions freely in the structural restriction of digital short films. Therefore, <Moments Musicaux> represents the generic characteristics of musical documentary. Particularly, the repertoire <Moments Musicaux> (composer: Han Suck-ho/producing and recording: the studio Arc/Hammond Organ/ 2008) was composed to produce this film. In terms of shooting, editing, and recording it, <Moments Musicaux> uses as much various angles as possible in order to record the player’s performance at the screen more actively. Moreover, in order not to damage animation, it does not restrict the selection of the lighting place compared to the narrative films. Thus, it does not restrain the emotion of the performance within the frame. <Moments Musicaux> requires experiencing more active emotions with the use of the performance of players, instead of actors and actresses, and with the use of music, instead of lines. Hence, it demands special consideration to the environment of showing the film in order to convey the same emotions as the one felt at the shooting spot. The thesis consists of the process of producing a single film and the investigation of “passion” which the movie director put an effort to comprehend in this film.

Contents

Ⅰ. 서론 (연구의의) 1 1. 작품개요 1 2. 작품설명 2 3. 작품의도 5 Ⅱ. 본론 (제작연구) 8 1. Pre-Production 8 가. 기획(안) 과정 8 1) 시놉시스 8 2) 영화음악 작곡 및 스텝구성 9 가) 작곡자 섭외 9 (1) 영화음악의 장르적 선택 9 (2) 영화음악의 악기선택 10 (3) 영화음악의 녹음 및 촬영장소 11 나) 스텝구성 12 (1) 촬영감독 섭외 및 촬영스타일 구축 12 (2) 조명감독 섭외 및 조명스타일 구축 17 3) 구성안 18 나. 제작준비과정 25 1) 전체스케줄 25 2) 월간스케줄 26 3) 캐스팅 28 4) 스텝구성 29 5) 미술 30 가) 미술 컨셉트 (로케이션) 30 나) 의상 컨셉트 33 다) 세트구성 35 다. 촬영준비과정 37 1) 촬영계획표 37 2) 스토리보드 39 2. Production 83 가. 촬영분석 리포트 83 3. Post-Production 91 가. 영상편집 구성표 91 1) 시퀀스별 컷 지속시간 분석 113 2) 시퀀스별 화면 사이즈 분석 115 나. 믹싱 118 Ⅲ. 결론 120 Ⅳ. 참고문헌 123

Holdings Information 1

TKC03656_01

Source
국회도서관
Acquisition Method
기증
Acquisition Date
2010-10-06
Group Information
-
Access
On-site Access
Copy/Rental
-
Storage Location
영상도서관(상암)

Linked Information

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