Sight and Sound

Basic Information

Title

Sight and Sound

Subtitle

Vol.25 Issue 5

Parallel Title

-

Country

국외

Production Date

2015-05-00

Language

영어

Size (mm)

-

Pages

-

ISBN/ISSN

0037-4806

Edition

-

Master Files

-

Producer

-

Description

-

Contents

Contents

Paradise lost : Argentinian director Lisandro Alonso’s beguiling, hallucinatory Jauja follows a father’s desperate search for his daughter in 19th-century Patagonia. By Mar Diestro-Dópido = 18 REGULARS Editorial : Uncharted waters = 5 Rushes David Thompson settles into his seat for a seasons of Polish film classics = 6 Object Lesson: Hannah McGill peeps through the curtains = 8 The Five Key…: Thomas Hardy films = 9 Trevor Johnston meets the director of the Rohmeresque Au revoir l’été = 11 Dispatches: Mark Cousins on the lost – and saved – films of India = 13 The Industry Development Tale: Charles Gant on bringing A Royal Night Out to the screen = 14 The Numbers: Charles Gant examines the Julianne Moore factor = 15 Brewster: Ben Roberts makes the business case for subsidy = 16 Wide Angle Holly Aylett remembers the subversive independent film-maker Marc Karlin = 52 Soundings: Pasquale Iannone on the classic soul soundtracks of 70s blaxploitation = 54 Primal Screen: Lisa Stein Haven hails Charlie Chaplin, godfather of the Beats = 55 Artist’s moving image: Jasper Sharp on Makino Takashi’s lush dreamscapes = 56 Festival: Michael Pattison reports from Latin America’s longest-running festival, Colombia’s FICCI = 57 Letters = 111 Endings : Kim Morgan on the painful inevitability of the final moments of Kubrick’s The Killing = 112 FEATURES The fugitive kind : Director Robert Siodmak’s gift for characterization lifts his classic noir Cry of the City clear of its genre roots. By Imogen Sara Smith = 24 Things fall apart : A mysterious outbreak of mass fainting at a girl’s school ia at the heart of Carol Morley’s haunting The Falling. By Sophie Mayer = 28 Shiny happy people : Comedy and misery go hand in hand in Roy Andersson’s brilliant A pigeon Sat on a Branch Reflecting on Existence. By Jonathan Romney = 32 Once were warriors : How the avant-garde British independent filmmakers in the 1970s waged virtual war with the mainstream. By William Fowler = 36 Basic instinct : Ruben Ostlund’s chilly drama Force majeure explores the cracks beneath the surface of a seemingly happy family. By Nick Roddick = 40 COVER FEATURE : Deep Focus: Southern Gothic : The cinema of the Southern Gothic is haunted by the ghosts of slavery, lost loves and dark family secrets, and set in a world characterised by macabre violence. Nick Pinkerton anatomises the genre and choose 12 of the best examples of the form = 44 FILMS OF THE MONTH Far from the Madding Crowd = 60 Glassland = 62 The Invisible Life = 64 Jauja = 66 FILMS Amar Akbar & Tony = 68 Argerich = 68 Au revoir l’été = 69 Bypass = 69 Chappie = 70 Cobain: Montage of Heck = 71 Dark Horse = 72 Dark Summer = 72 The Decent One = 73 The Divergent Series: Insurgent = 74 The Duff = 74 Everly = 75 Exit = 75 The Falling = 76 Focus = 77 Force majeure = 78 Gente de bien = 79 Good Kill = 80 The Good Lie = 80 The Gunman = 81 Harlock Space Pirate = 82 Hot Tub Time Machine 2 = 82 John Wick = 83 Kidnapping Freddy Heineken = 83 The Last 5 Years = 84 A Little Chaos = 85 A Pigeon Sat on a Branch Reflecting on Existence = 86 Run All Night = 87 The Salvation = 88 Samba = 88 The Second Best Exotic Marigold Hotel = 89 Stonehearst Asylum = 90 The Town That Dreaded Sundown = 90 Unfinished Business = 91 White Shadow = 92 Wild Card = 92 HOME CINEMA Baby Love, La ciènaga, Cult of the Damned (Angel, Angel Down We Go ), Darling, Every Man for Himself, God Told Me To, Kiss Me, Stupid, No Trees in the Street, Springing in a Small Town, The Tales of Hoffmann, Woman They Almost Lynched = 96 DVD features Mark Fisher on Lumet’s explosive The Offence = 94 Philip Kemp admires WWI masterpiece Wooden Crosses = 97 Michael Brooke reassesses Rossellini’s ‘War Trilogy’ – Rome, Open City/Paisà/Germany Year Zero = 98 Television : Sherlock Holmes = 100 Lost and Found : Vlastimir Sudar takes a fresh look at revisionist western Cry for Me, Billy = 102 BOOKS Henry K. Miller on trio of titles in the never-ending Hitchcock industry = 104 Catherine Wheatley welcomes two new collection of André Bazin’s film writing = 106

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