New Vocabularies in Film Semiotics
Management No. BFM000080
- Physical/Digital
- 아날로그
- Media Type
- 도서
- Subject
- 영화
Basic Information
- Title
- New Vocabularies in Film Semiotics
- Subtitle
- Structuralism, Post-structuralism, and Beyond
- Parallel Title
- -
- Country
- 국외
- Production Date
- 1992-**-**
- Language
- 영어
- Size (mm)
- 155 x 234
- Pages
- 239쪽
- ISBN/ISSN
- 041506595X
- Edition
- 1st edition
- Master Files
- -
- Producer
- Robert Stam, Robert Burgoyne, Sandy Flitterman-Lewis (저자), Routledge (발행처)
- Description
- -
Contents
CONTENTS Notes on the contributois = ⅸ Preface = ⅹ Part Ⅰ The Origins of Semiotics = 1 Semiotics and the philosophy of language = 1 The founders of semiotics = 4 Russian Formalism = 9 The Bakhtin School = 12 Prague structuralism = 14 Jakobson's communications paradigm = 15 The advent of structuralism = 18 Post－structuralism : the critique of the sign = 23 Part Ⅱ Cine－semiology = 28 The cinematic sign = 29 Minimal units and their cinematic articulation = 31 Cinema : langue or langage? = 33 The Grand Syntagmatique = 37 The eight syntagmatic types = 40 Codes and subcodes = 48 Textual system = 50 Textual analysis = 53 Filmic punctuation = 57 The semiotics of filmic sound = 59 Language in the cinema = 63 Beyond Saussure = 65 Part Ⅲ Film－narratology = 69 The semiotics of narrative = 69 Film as a narrative art : Formalist approaches = 70 Contemporary models of formal structure = 73 The structuralist analysis of narrative = 76 Plot analysis : the Proppian model = 79 Semantic and syntactic approaches = 82 The problem of point－of－view = 83 Focalization and filtration = 87 Narration in film = 95 Types of filmic narrator = 96 Character narration = 97 Gender in voice－over narration = 100 Unreliability = 101 The cinematic narrator = 103 Enunciation and cinematic narration = 105 Cognitive approaches to narration = 107 Recent theories of the cinematic narrator = 109 Tense = 118 Part Ⅳ Psychoanalysis = 123 Psychoanalytic theory = 123 Psychoanalytic film theory = 139 The cinematic apparatus = 142 The spectator = 146 Enunciation = 159 The gaze = 162 Feminist film theory = 174 Part Ⅴ From realism to intertextuality = 184 Cinematic realism = 185 Ideology and the camera = 186 The classic realist text = 188 Cinematic écriture = 189 From "work" to "text" = 191 The contradictory text = 196 The nature of reflexivity = 198 The politics of reflexivity = 201 Intertextuality = 203 Transtextuality = 206 Discourse = 210 Social semiotics = 213 Bibliography = 222 Index of terms = 233
Holdings Information 2
BFM000080
- Source
- 0
- Acquisition Method
- 미상
- Acquisition Date
- 1993-12-04
- Group Information
- -
- Access
- On-site Access
- Copy/Rental
- -
- Storage Location
- 영상도서관(상암)
BFM000080_01
- Source
- 이승구
- Acquisition Method
- 기증
- Acquisition Date
- 2019-08-13
- Group Information
- -
- Access
- On-site Access
- Copy/Rental
- -
- Storage Location
- 문헌보존실
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