Moving Image Theory

Basic Information

Title

Moving Image Theory

Subtitle

ecological considerations

Parallel Title

-

Country

국외

Production Date

2005-**-**

Language

-

Size (mm)

-

Pages

253쪽

ISBN/ISSN

0809325993

Edition

1st ed.

Master Files

-

Producer

ed. Joseph D. Anderson, Barbara Fisher Anderson; (저자), Southern Illinois univ. press (발행처)

Description

-

Contents

Contents

Foreword = ⅸ Preliminary Considerations = 1 Part One. Information Available in Moving Images = 7 1. Perceiving Scenes in Film and in the World = 9 2. The Value of Oriented Geometry for Ecological Psychology and Moving Image Art = 28 Part Two. Perception of Simulated Human Motion = 49 3. Creating Realistic Motion = 52 4. Perceiving Human Motion in Synthesized Images = 61 Part Three. Acoustic Events = 67 5. Background Tracks in Recent Cinema = 70 6. Acostic Specification of Object Properties = 79 Part Four. Information in Facial Expression = 105 7. Three Views of Facial Expression and Its Understanding in the Cinema = 107 8. Facial Motion as a Cue to Identity = 128 Part Five. Coupling of Perception and Emotion = 149 9. Film Lighting and Mood = 152 10. Cinematic Creation of Emotion = 164 Part Six. Appeals of Reality-Based Moving Images = 181 11. Documentary's peculiar Appeals = 183 12. Reality Programming: Evolutionary Models of Film and Television Viewership = 200 Part Seven. Events, Symbols, and Metaphors = 215 13. Through Alice's Glass: The Creation and Perception of Other Worlds in Movies, Pictures, and Virtual Reality = 217 14. Metaphors in Movies = 228 List of Contributors = 245 Index = 249

Holdings Information 2