Introduction To Film

Basic Information

Title

Introduction To Film

Subtitle

-

Parallel Title

-

Country

국외

Production Date

2005-**-**

Language

-

Size (mm)

-

Pages

ⅹⅵ, 336

ISBN/ISSN

1403916276

Edition

1st ed.

Master Files

-

Producer

Nick Lacey (저자), Palgrave Macmillan (발행처)

Description

-

Contents

Contents

Contents List of figures = x List of film stills = xi List of tobles = xiii Acknowledgements = xiv Preface = xv Introduction = 1 Chapter I Film language = 5 1.1 Introduction = 5 1.2 Introduction to mise en scene = 5 1.3 Production design:sets, props and costumes = 7 1.4 Lighting = 10 1.5 Performance = 12 1.6 Sound (and music) = 16 1.7 Framing:position:depth of field:aspect ratio: height and angle (but not movement) = 22 1.8 Camera movement = 28 1.9 Editing = 31 1.10 Film stars as texts = 41 Chapter 2 Film genre and narrative = 46 2.1 Introduction = 46 2.2 Defining genre = 46 2.3 The repertoire of dldments = 48 2.4 Generic evolution = 53 2.5 Approaches to genre = 57 2.6 Twelve uses of genre = 59 2.7 Genre and audiences = 76 2.8 Introduction to narrative = 77 2.9 Todorov and Propp = 78 2.10 Story and plot = 84 2.11 Roland Barthes' narrative codes = 88 2.12 Other approaches = 90 2.13 Postmodern narratives = 93 Chapter 3 Film as industry = 99 3.1 Introduction = 99 3.2 The beginning of cinema = 99 3.3 Hollywood - the formationof the major studios = 100 3.4 Hollywood and censorship = 104 3.5 Hollywood - the coming of sound = 106 3.6 Hollywood decline: the Paramount decrees and the baby boom = 108 3.7 New Hollywood? The early 1970s = 109 3.8 Package Hollywood = 111 3.9 Hollywood: conglomeration to media corporation = 113 3.10 The importance of Jaws = 116 3.11 Hollywood and the high concept = 119 3.12 The independent sector in North America = 123 3.13 The arthouse sector = 125 3.14 Selling cinema = 129 3.15 Genre and industry = 131 3.16 How new is contemporaty Hollywood? = 135 3.17 Stars = 136 3.18 The publicity circus = 139 3.19 The DVD revolution = 142 3.20 Film festivals = 143 3.21 = Conclusion: the shadow of Hollywood = 144 Chapter 4 Film and theory = 147 4.1 Introduction = 147 4.2 Film and realism = 147 4.3 The auteur theory = 155 4.4 Structuralism and auteurism = 156 4.5 Screen theory - ideology = 161 4.6 Screen theory - psychoanalysis = 174 4.7 Screen theory - feminist analysis = 177 4.8 Spectatoryship = 180 4.9 Third cinema and post-colonaalism = 189 4.10 Postmodernism and poststructuralism = 197 4.11 Audience pleasures = 203 Chapter 5 Film and history = 208 5.1 Introduction = 208 5.2 German Expressionism = 209 5.3 Avant-garde = 214 5.4 Soviet cinema in the 1920s = 219 5.5 The British documentary movement = 222 5.6 Italian neo-realism = 223 5.7 The French New Wave (nouvelle vague) = 227 5.8 The British New Wave (1959-63) and the 'Swinging Sixties' = 231 5.9 Other 1960s new waves = 237 5.10 May '68 5.11 New German cinema = 242 5.12 Chinese cinema:fifth and sixth generation = 245 5.13 Iranian cinema = 248 5.14 Denmark's Dogme = 250 Appendices: = 253 A5.1 Australia and New Zealand-the role of the aboriginal = 253 A5.2 The Balkans - civil strife = 255 A5.3 Canada - engulfed by America? = 256 A5.4 Hong Kong - (not) a national cinema? = 258 A5.5 Mexican Cinema - renaissance on America's doorstep = 259 Chapter 6 Film and representation = 263 6.1 Introduction = 263 6.2 Representation and types = 263 6.3 African-Anericans and Hollywood = 266 6.4 National cinema = 272 6.5 British cinema = 274 6.6 State-of-the-nation films = 293 Chapter 7 Film and technology = 295 7.1 Introduction = 295 7.2 Precursors = 295 7.3 Projecting frames = 296 7.4 Aspect ratio = 297 7.5 Lenses and filmstock = 299 7.6 Sound and colour = 300 7.7 Animation = 301 7.8 Special effects = 302 7.9 Digital distribution = 305 7.10 Conclusion = 306 Bibliography = 308 Film index = 329 Subject index = 332

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