Theorizing The Moving Image

Basic Information

Title

Theorizing The Moving Image

Subtitle

-

Parallel Title

-

Country

국외

Production Date

1996-**-**

Language

영어

Size (mm)

178 x 254

Pages

426쪽

ISBN/ISSN

0521466075

Edition

1st Edition

Master Files

-

Producer

Noel Carroll (저자), Cambridge University (발행처)

Description

-

Contents

Contents

Acknowledgments = iv Foreword, by David Bordwell = ix Introduction = xiii PART I :QUESTIONING MEDIA = 1 I .MEDIUM SPECIFICITY ARGUMENTS AND THE SELF-CONSCIOUSLY INVENTED ARTS: Film, Video, and Photography = 3 II. THE SPECIFICITY OF MEDIA IN THE ARTS = 25 III.CONCERNING UNIQUENESS CLAIMS FOR PHOTOGRAPHIC AND CINEMATOGRAPHIC REPRESENTATION = 37 IV. DEFINING THE MOVING IMAGE = 49 PART II. POPULAR FILM AND TV = 75 V. THE POWER OF MOVIES = 78 VI. TOWARD A THEORY OF FILM SUSPENSE = 94 VII. AS THE DIAL TURNS: NOTES ON SOAP OPERAS = 118 VIII. TOWARD A THEORY OF POINT OF VIEW EDITING : Communication,Emotion, and the Movies = 125 IX. NOTES ON MOVIE MUSIC = 139 1X NOTES ON THE SIGHT GAG = 146 PART III. AVANT-GARDE AND DOCUMENTARY FILM = 159 XI. AVANT-GARDE FILM AND FILM THEORY = 162 XII.. CAUSATION, THE AMPLIFICATION OF MOVEMENT AND THE AVANT-GARDE FILM = 169 XIII. LANGUAGE AND CINEMA: PRELIMINARY NOTES FOR A THEORY OF VERBAL IMAGES = 187 XIV. A NOTE ON FILM METAPHOR = 212 XV. FROM REAL TO REEL: ENTANGLED IN NON-FICTION FILM = 224 XUI. REPLY TO CAROL BROWSON AND JACK C. WOLF = 253 PART IV. IDEOLOGY = 257 XVII. THE IMAGE OF WOMEN IN FILM: A DEFENSE OF A PARADIGM = 260 XVIII. FILM, RHETORIC AND IDEOLOGY = 275 PART V. THE HISTORY OF FILM THEORY = 291 XIX. FILM/MIND ANALOGIES: THE CASE OF HUGO MUNSTERBERG = 293 XX. HANS RICHTER'S STRUGGLE FOR FILM = 305 XXI. A BRIEF NOTE ON FRAMPTON'S NOTION OF METAHISTORY = 313 PART VI. POLEMICAL EXCHANGES = 319 XXII. COGNITIVISM, CONTEMPORARY FILM THEORY AND METHOD = 321 XXIII. CRACKS IN THE ACOUSTIC MIRROR = 336 XXIV. A REPLY TO HEALTH = 343 XXV. REPLIES TO HAMMETT AND ALLEN = 360 PART VII. FALSE STARTS = 373 XXVI. FILM HISTORY AND FILM THEORY : An Outline for an Institutional Theory of Film = 375 XXVII. ART, FILM AND IDEOLOGY : A Response to Blaine Allen = 392 XXVIII. TOWARD A THEORY OF FILM EDITING = 403 Index = 421

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