Literature

The Remasculinization of Korean Cinema

Management No. BFM006991

Basic Information

Contents: Contents Acknowledgment = ix Introduction : Hunting for the Whale = 1 Ⅰ. Genres of Post-Trauma 1. At the Edge of a Metropolis in a Fine, Windy Day and Green Fish = 31 2. Nowhere to Run : Disenfranchised Men on the Road in the Man with Three Coffins, Sopyonje, and Out to the World = 52 3. "Is This How the War is Remembered?" : Violent Sex and the Korean War in Silver Stallion, Spring in My Hometown, and the Taebaek Mountains = 77 4. Post-Trauma and Historical Remembrance in A Single Spark and a Petal = 107 Ⅱ. New Korean Cinema Auteurs 5. Male Crisis in the Early Films of Park Kwang-su = 136 6. Jang Sun-Woo's Three "F" Word : Familism, Fetishism, and Fascism = 162 7. Too Early/Too Late : Temporality and Repetition in Hong Sang-su's Fils = 203 Ⅲ. Fin-De-Siecle Anxieties 8. Lethal Work : Domestic Space and Gender Troubles in Happy End and The Housemaid = 233 9. "Each Man Kills the Thing He Loves" : Transgressive Agents, National Security, and Blockbuster Aesthetics in Shiri and Joint Seucurity Area = 259 Notes = 277 Select Filmography of Major Directors of the New Korean Cinema = 313 Index = 321