Abel Gance
Management No. BFM012172
- Physical/Digital
- 아날로그
- Media Type
- 도서
- Subject
- 인물
Basic Information
- Title
- Abel Gance
- Subtitle
- -
- Parallel Title
- -
- Country
- 국외
- Production Date
- 1984-**-**
- Language
- 영어
- Size (mm)
- 150 x 209
- Pages
- 260쪽
- ISBN/ISSN
- 0851701361(pbk)
- Edition
- 초판
- Master Files
- -
- Producer
- Norman King (저자), British Film Institute (발행처)
- Description
- -
Contents
1. INTRODUCTION: POLITICS AND CRITICISM Napoleon resurrected = 1 Gance becomes an auteur = 3 The author in contest = 6 Strategies = 9 2. GANCE AND HIS CRITICS The romantic: Georges Buraud and Jean Array = 12 The poetic avant-garde: René Clair, Germaine Dulac and Jean Epstein = 21 The political and the aesthetic: Léon Moussinac and Emile Vuillermoz = 30 The surrealist: Philippe Soupault = 49 3. GANCE ON THEORY Gance as theorist = 55 The producer = 58 The cinema of tomorrow = 61 Departure towards polyvision = 79 4. GANCE AS AUTHOR—DIRECTOR The screenplays = 82 La roue = 83 Napoleon = 87 La fin du monde = 105 Data Gance and his producers = 117 5. NARRATIVE AND HISTORY Refocusing the debates = 123 Melodrama and the epic = 125 Divided heroes = 131 6. POLITICS AND THE AESTHETIC Politics and populism = 140 Napoleon the exemplary = 146 Towards a New World = 163 Art for the people = 176 7. IMAGE, SPECTACLE, POSITION Narrative mise en scene = 179 The mediating look = 191 Performance and spectacle = 197 Politics and the spectator = 212 8. CONCLUSION = 216 NOTES = 219 FILMOGRAPHY = 233 BIBLIOGRAPHY = 249 INDEX = 257
Holdings Information 1
BFM012172_01
- Source
- 이승구
- Acquisition Method
- 기증
- Acquisition Date
- 2019-08-13
- Group Information
- -
- Access
- On-site Access
- Copy/Rental
- -
- Storage Location
- 영상도서관(상암)
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