Point of View in the Cinema
Management No. BFM009948
- Physical/Digital
- 아날로그
- Media Type
- 도서
- Subject
- 영화
Basic Information
- Title
- Point of View in the Cinema
- Subtitle
- A Theory of Narration and Subjectivity in Classical Film
- Parallel Title
- -
- Country
- 국외
- Production Date
- 1984-**-**
- Language
- 영어
- Size (mm)
- 166 x 233
- Pages
- 246쪽
- ISBN/ISSN
- 9027930791
- Edition
- -
- Master Files
- -
- Producer
- Edward Branigan (저자), Mouton Publishers (발행처)
- Description
- -
Contents
Contents = Ⅶ List od Figures = Ⅸ Foreword by David Bordwell = Ⅹ Acknowledgments = ⅩⅣ Chapter 1 The Problem of Point of View = 1 1. Narration and Narrative = 1 2. Two Theories: Point of View as Perception and as Attitude = 5 3. Point of View as Identification = 9 4. Point of View as Language = 14 5. Point of View as a Logic of Reading = 16 Chapter 2 Film as System = 29 Chapter 3 Narration = 39 1. Narration as Symbolic Activity = 39 2. Levels of Narration = 42 3. Two Ways of Reading: By Error or by Hypothesis = 50 4. Elements of Classical Representation = 56 5. The Elements of Representation in Film = 61 Chapter 4 Subjectivity = 73 1. Subjectivity as Narration = 73 2. The Classification of Subjectivity into Types = 76 3. Types of Subjectivity = 79 4. Mental Process Narration = 85 5. The Problem of Color and Sound = 94 Chapter 5 The Point-of-view Shot = 103 1. The Elements of POV = 103 2. The Framing of POV = 109 3. A Repertory of Simple Structures = 111 Chapter 6 Character Reflection and Projection = 122 1. Metaphorical Framing = 123 2. Character Reflection = 127 3. Character Projection = 132 Chapter 7 The Modern Text: Subjectivity under Siege from Fellini's 8 1/2 to Oshima's The Story of a Man Who Left His Will in Film = 143 1. Origin: The Problem of Authorship = 146 2. Vision: The Status of the Image = 151 3. Time: The Relation of Narration and Narrative = 155 4. Frame: The Relation of Spectator and Spectacle = 157 5. Mind: Toward a Redefinition of Character = 159 Chapter 8 Metatheory = 168 1. Empiricist Versus Rationalist Theories od Point of View and the Pro-Cess of Embedding = 168 2. Recent Approaches to Narration = 174 3. Summary of My Theory of Narration = 176 4. Some Functions of Narration = 180 Appendix Orthodox Theories of Narration = 190 1. Orthodox Literary Theories of Point of View and a Fatal Distinction: Telling Versus Showing = 190 2. Hugo Munsterberg and Film Psychology = 196 3. Andre Bazin: Point of View as a Real Condition of Vision = 198 4. The Categories of Jean Mitry = 212 5. From Literature to Film: Narration as Consciousness = 216 Suggested Further Reading = 231 Index = 233
Holdings Information 1
BFM009948_02
- Source
- 권옥자
- Acquisition Method
- 기증
- Acquisition Date
- 2015-10-15
- Group Information
- -
- Access
- On-site Access
- Copy/Rental
- -
- Storage Location
- 문헌보존실
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