Cinema Raw
Management No. BFM010402
- Physical/Digital
- 아날로그
- Media Type
- 도서
- Subject
- 행정제도
Basic Information
- Title
- Cinema Raw
- Subtitle
- Shooting and Color Grading with the Ikonoskop, Digital Bolex, and Blackmagic Cinema Cameras
- Parallel Title
- -
- Country
- 국외
- Production Date
- 2014-**-**
- Language
- 영어
- Size (mm)
- 190 x 234
- Pages
- 200쪽
- ISBN/ISSN
- 9780415810500
- Edition
- 1st
- Master Files
- -
- Producer
- Kurt Lancaster (저자), Focal Press (발행처)
- Description
- -
Contents
About the Author = ix Foreword: Virgin Frames. Untouched by Michael Plescia = xi Acknowledgments = xvii introduction: What Camera to Choose? What Story To Tell? = xxi PART I. Getting the Raw Deal 1. Creating a New Paradigm: Behind the Scenes at Digital Bolex = 3 2. What's the Deal with Raw? The Advantages (and Disadvantages) of Shooting Compressed vs. Raw = 23 3. Film Gear for Raw Filmmakers: A Low-Budget List = 45 PART II. Raw Production Case Studies = 63 4. Filmic at 16mm Digital: In the Field with Ikonoskop's A-Cam dll = 65 5. Looking Sharp: in the Field with Blackmagic's Digital Cinema Camera = 85 6. Rich Textures and Skin Tones: in the Field with Digital Bolex's D16 = 111 PART III. Raw Postproduction = 129 7. Color Correcting and Color Grading CinemaDNG with DaVinci Resolve = 131 8. Color Correction and Color Grading CinemaDNG with LightPost and Camera Raw = 159 conclusion: The Importance of Color Depth and the Uniqueness of Cameras = 185 AFTERWORD: The Organic Look of Digital Film by Joseph Rubinstein = 189 APPENDIX: Why You Must Have 4K and Raw and Why You Absolutely Don't Need It by Philip Bloom = 191 Index = 159
Holdings Information 1
BFM010402_01
- Source
- (주)학술정보
- Acquisition Method
- 구입
- Acquisition Date
- 2015-12-21
- Group Information
- -
- Access
- On-site Access
- Copy/Rental
- -
- Storage Location
- 영상도서관(상암)
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