Japanese Cinema Goes Global
Management No. BFM010406
- Physical/Digital
- 아날로그
- Media Type
- 도서
- Subject
- 영화
Basic Information
- Title
- Japanese Cinema Goes Global
- Subtitle
- Filmworkers' Journeys
- Parallel Title
- -
- Country
- 국외
- Production Date
- 2012-**-**
- Language
- 영어
- Size (mm)
- 153 x 228
- Pages
- 200쪽
- ISBN/ISSN
- 9789888083336
- Edition
- -
- Master Files
- -
- Producer
- Yoshiharu Tezuka (저자), Hong Kong University Press (발행처)
- Description
- -
Contents
Preface = vii Acknowledgements = xi Note on Romanization of Asian Names and Scripts = xiii Introduction = 1 Chapter One: Japanese National Identity and "Banal" Cosmopolitalization = 9 The Crisis of National Identity = 9 The Formation of Different Types of Cosmopolitan Subjectivity = 13 Chapter Two: Internationalization of Japanese Cinema - How Japan Was Different from the West and above Asia before Globalization = 25 The Occupation, Japanese National Cinema and Industry = 29 A New Set of Lies - Post-war National Subjectivity = 35 Legitimizing Cosmopolitanism and Self-Orientalism = 40 Technology and Japan's Oriental-Orientalism in Asia = 51 The Golden Age of the Hong Kong-Japanese Cinematic Interchange = 60 The Emergence of Resistance Cosmopolitanism = 67 Chapter Three: Globalization of Film Finance - The Actually Existing Cosmopolitanisms of Japanese Film Producers = 75 Banal Cosmopolitanization and the Mini-Theatres = 80 Globalizing Japanese Cinema - Reticent Legitimizing Cosmopolitanism = 89 The Precarious Life of a Japanese Resistance Cosmopolitan in Europe = 97 Japanese Alternative Cinema and Cosmopolitanism = 103 Chapter Four: Global America? - American-Japanese Film Co-Productions from Shogun (1980) to The Grudge 2 (2006) via Lost in Translation (2003) = 113 The Production of Shogun (1980) = 120 The Japanese Line Producer of Shogun - Hiroaki Fujii = 123 The Production of Lost in Translation (2003) = 126 The Japanese Line Producer of Lost in Translation --Kiyoshi Inoue = 129 Comparing the Two Films and the Two Japanese Line Producers = 132 Remaking Global Hollywood - Synopticon Control of Locals = 135 Chapter Five: Pan-Asian Cinema? - The Last of Japan-Centred Regional Cosmopolitanism = 145 The Japan-Hong Kong Interaction since the Late 1980s = 149 Working In-between Japan and Hong Kong = 154 The Undercurrent of Japan-China Interaction = 159 Hybrid Regionalism Practised by East Asian Film Students = 164 Epilogue = 171 Notes = 175 List of Recorded Interviews = 179 References = 181 Index = 197
Holdings Information 1
BFM010406_01
- Source
- (주)학술정보
- Acquisition Method
- 구입
- Acquisition Date
- 2015-12-21
- Group Information
- -
- Access
- On-site Access
- Copy/Rental
- -
- Storage Location
- 영상도서관(상암)
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