Russian formalist film theory
Management No. BFM010764
- Physical/Digital
- 아날로그
- Media Type
- 도서
- Subject
- 영화
Basic Information
- Title
- Russian formalist film theory
- Subtitle
- -
- Parallel Title
- -
- Country
- 국외
- Production Date
- 1981-**-**
- Language
- 영어
- Size (mm)
- 145 x 231
- Pages
- 174쪽
- ISBN/ISSN
- -
- Edition
- -
- Master Files
- -
- Producer
- Herbert Eagle (저자), Michigan Slavic publications (발행처)
- Description
- -
Contents
Herbert Eagle, Russian Formalist Film Theory : An Introduction 1. Fomalism and the Cinema = 1 2. Basic Principles of Formalism = 2 3. Tynjan ov's Semiotic Perspective = 5 4. Signs in Film Language = 9 5. Syntagmatics of Cinema = 13 6. Film Style : Relationship to Other Art Forms = 18 7. Ganres in Film Art = 22 8. Films Production and Cinematic Structure = 27 9. The Formalists amd Eisenstein = 29 10. Czech Structuralist Contributions: Jakopson and Mukarovsky = 36 11. The Semiotic Stage : Lotman and Ivanov = 43 12. Russian Formalism and Present - Day Theory = 52 B. Ejxenbaum, Problems of Cinema Stylistics = 55 Ju. Tynjanov, On the Foundations of Cinema = 81 B. Kazanskij, The Nature of Cinema = 101 A. Piotrovskij, Towards a Theory of Cine-Genres =131 E. Mixajlov and A. Moskvin, The Role of the Cinematographer in the Creation of Film = 147 R. Jakobson, Is the Cinema in Decline ? = 161
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