Eclipsed Cinema

Basic Information

Contents: List of Figures = vii Acknowledgements = ix Introducing Joseon Cinema: the Question of Film History and the Film Culture of Colonial Korea = 1 1 The Beginning: Towards a Mass Entertainment = 13 　Film Culture Begins: the Development of Early Film Culture = 19 　Film Production Begins: Moving Picture Unit of the Office of the Governor General = 30 2 Joseon Cinema, Cinematic Joseon: on Some Critical Questions of Joseon Cinema = 55 　Desperately Seeking the Joseon Image: Arirang (1926) and the Making of Joseon Film Aesthetics = 59 　Joseon Film Lyricism: Joseon Colour and Joseon Films 'Exported' to Japan = 82 3 Migrating with the Movies: Japanese Settler Film Culture = 103 　The Formation and Characteristics of Settler Film Culture = 110 　'A Film Practice Distinctly Joseon': the Ethnic Segregation of Movie Theatres = 129 4 Colonial Film Spectatorship: Nationalist Enough? = 144 　Korean Spectators, or How they Learned to Stop Worrying and Love Hollywood = 147 　Performing Colonial Identity: the Transcolonial Practice of Byeonsa/Benshi = 167 5 Film Spectatorship and the Tensions of Modernity = 184 　Modern Girls and Boys go to the Movies: Cinema, Modernity and the Colonised Nation = 190 　Mobility, Movie Iheatres and Female Film Spectatorship = 210 Conclusion: Integrating into the Imperial Cinema = 229 Notes = 236 Appendix = 264 Bibliography = 273 Index = 284

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