Color and the Moving Image

Basic Information

Title

Color and the Moving Image

Subtitle

History, Theory, Aesthetics, Archive

Parallel Title

-

Country

국외

Production Date

2013-**-**

Language

영어

Size (mm)

152 x 228

Pages

252쪽

ISBN/ISSN

9780415892643

Edition

1/E

Master Files

-

Producer

Simon Brown (저자), Routledge (발행처)

Description

-

Contents

Contents

plates and figures = ix acknowledgments = xiii 　introduction/ simon brown, sarah street, and liz watkins = 1 part one: history = 11 1. "the brighton school and the quest for natural color" — redux/ simon brown = 13 2. technicolor-multicolor-sennett-color: natural color processes in mack sennett comedies 1926—1931/ hilde d'haeyere = 23 3. color as image schema: technicolor number 3 in king of jazz (1930)/ charles o 'brien = 37 4. glorious agfacolor, breathtaking totalvision and monophonic sound: colour and "scope" in czechoslovakia/ anna batistová = 47 5. glorious and other adventures with prizma/ sarah street = 56 6. the color of prometheus: thomas wilfred's lumia and the projection of transcendence/ andrew robert johnston = 67 part two: theory = 79 7. where do colors go at night?/ tom gunning = 81 8. "brash . . . indecent . . . libertine": derek jarman's queer colors/ rosalind galt = 93 9. the hues of memory, the shades of experience: color and time in syndromes and a century/ jocelyn szczepaniak-gillece = 104 10. from psycho to pleasantville: the role of color and black-and-white imagery for film experience/ philipp schmerheim = 114 part three: aesthetics = 125 11. the illuminated fairytale: the colors of paul fejos's lonesome (1928)/ joshua yumibe = 127 12. color unlimited: amateur color cinema in the 1930s/ charles tepperman = 138 13. color and meaning in the films of eric rohmer/ jona handyside = 150 14. the cameraman and the glamour-puss: technicolor cinematography and design in john ford's drums along the mohawk/ heather heckman = 160 15. chromo-drama: innovation and convention in douglas sirk's color designs/ scatt higgins = 170 16. color and containment: domestic spaces and restrained palettes in hitchcock's first color films/ steven jacobs = 179 17. color and meaning in marnie/ john belton = 189 part four: archive = 197 18. are my eyes really brown? the aesthetics of colorization in casablanca/ Jason gendler = 199 19. "those men are not white!": neuroscience, digital imagery and color in o brother, where art thou?/ william brown = 209 20. towards a more accurate preservation of color: heritage, research and the film restoration laboratory/ ulrich ruedel, daniela currö, and claudy op den kamp = 219 21. herbert g. ponting's materials and texts/ liz watkins = 230 about the american film institute = 243 index = 245

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