HOLLYWOOD DIRECTORS 1941-1976

INTRODUCTION = xv ORSON WELLES = 3 Orson Welles Writing about Orson Welles = 4 ROUBEN MAMOULIAN = 14 Controlling Color for Dramatic Effect = 15 ALBERT LEWIN = 25 "Peccavi!" The True Confession of a Movie Producer = 26 KING VIDOR = 35 Bringing Pulham to the Screen = 36 JOHN HUSTON = 40 Picture Partners = 41 ROBERT ROSSEN = 47 New Characters for the Screen = 48 NICK GRINDE = 55 Pictures for Peanuts = 56 IRVING PICHEL = 68 Seeing with the Camera = 69 FRANK CAPRA = 82 Breaking Hollywood's "Pattern of Sameness" = 83 CHUCK JONES = 90 Music and the Animated Cartoon = 91 WILLIAM WYLER = 101 No Magic Wand = 102 JEAN RENOIR = 117 Chaplin among the Immortals = 118 GEORGE SEATON = 126 One Track Mind on a Two Way Ticket = 127 FRITZ LANG = 134 The Freedom of the Screen = 135 FRED ZINNEMANN = 143 Different Perspective = 144 LEWIS MILESTONE = 148 First Aid for a Sick Giant = 149 ALFRED HITCHCOCK = 155 Production Methods Compared = 156 CLARENCE BROWN = 162 The Producer Must Be Boss = 163 GEORGE SIDNEY = 168 The Director's Art = 169 LASLO BENEDEK = 173 Directing Death of a Salesman for the Screen = 174 RICHARD BROOKS = 179 A Novel Isn't a Movie = 180 WILLIAM DIETERLE = 186 Europeans in Hollywood = 187 HENRY KOSTER = 192 Directing in CinemaScope = 193 ARCH OBOLER = 196 Three-Dementia = 197 RICHARD FLEISCHER = 199 Underwater Filmmaking = 200 TERRY SANDERS = 206 The Financing of Independent Feature Films = 207 JOSEF VON STERNBERG = 217 More Light = 218 MICHAEL CURTIZ = 237 Talent Shortage Is Causing Two-Year Production Delay = 238 NICHOLAS RAY = 243 Story into Script = 244 ELIA KAZAN = 257 Introduction to A Face in the Crowd = 258 BILLY WILDER = 269 One Head Is Better Than Two = 270 MERVYN LEROY = 275 Motion Pictures and Pay TV = 276 ROBERT SIODMAK = 283 Hoodlums: The Myth = 284 ANDREW MARTON = 289 Ben-Hur's Chariot Race = 290 ROBERT ALDRICH = 297 Learning from My Mistakes = 298 STANLEY KUBRICK = 305 Words and Movies = 306 JOSHUA LOGAN = 310 My Invasion of Marseilles = 311 JOHN STURGES = 319 How the West Was Lost! = 320 HENRY KING = 326 No End of Stars = 327 ANTHONY MANN = 331 Empire Demolition = 332 SAMUEL FULLER = 339 What Is a Film? = 340 JOHN FRANKENHEIMER = 348 Criticism as Creation = 349 GENE KELLY = 355 Some Notes for Young Dancers = 356 ARTHUR PENN = 359 Bonnie and Clyde: Private Morality and Public Violence = 360 GENE SAKS = 365 "Well, How Do You Like Directing Movies?" = 366 IDA LUPINO = 371 Me, Mother Directress = 372 EDWARD DMYTRYK = 378 The Director and the Editor = 379 ROGER CORMAN = 385 The Young Filmmakers = 386 WILLIAM FRIEDKIN = 391 Anatomy of a Chase = 392 MICHAEL RITCHIE = 404 The Production of Smile = 405 Index = 413

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