The Moving Image

Basic Information

Title

The Moving Image

Subtitle

Production Principles and Practice

Parallel Title

-

Country

국외

Production Date

1987-**-**

Language

영어

Size (mm)

196 x 238

Pages

458쪽

ISBN/ISSN

-

Edition

-

Master Files

-

Producer

Gorham Kindem (저자), Scott, Foresman and Company (발행처)

Description

-

Contents

Contents

CHAPTER 1. The Production Process = 1 Putting Production Principles into Practice = 2 Planning for Positive Production Experiences = 3 Avoiding Negative Production Experiences = 3 Stages of Production = 4 Preproduction = 4 Production = 6 Postproduction = 6 Visualization: Images, Sounds, and the Creative Process = 7 Conveying Information = 8 Rhetorical Persuasion = 8 Artistic Expression = 9 Production Aesthetics = 9 Functionalist = 9 Realist = 9 Formativist = 10 Production Terminology = 11 A Short History of Film and Television = 12 Production Categories and Levels = 17 Single-Camera and Multiple-Camera Production = 21 The Production Team = 22 Creative Staff = 23 The Production Crew = 24 Summary = 28 Additional Readings = 29 PART1. PREPRODUCTION = 31 CHAPTER 2. Producing and Production Management = 33 The Producer = 34 The Role of the Producer = 34 Types of Producers = 35 Generating Marketable Concepts = 35 Ideas = 35 Packages = 36 Audiences = 36 Production Strategies = 37 Project Goals and Objectives = 37 Audience Assessment Techniques = 38 Topic Research = 40 Ethics = 41 Project Presentations = 42 Production Management = 43 Script Breakdown = 43 Scheduling = 43 Budgeting = 44 Hierarchical and Cooperative Approaches = 48 Production Meetings = 48 Evaluation = 48 Casting = 49 Producers on Small-Scale Productions = 49 Summary = 50 Additional Readings = 51 Exercises = 51 CHAPTER 3. Basic Scriptwriting: Fiction = 52 Visual Thinking = 53 Preparation for Scriptwriting = 55 Proposals = 55 Research = 56 Treatments = 57 Scriptwriting Formats = 59 Split-Page and Full-Page Formats = 59 Semi-Scripted Formats = 60 Structure in Fiction = 61 Types of Drama = 61 Dramatic Structure = 63 Narrative Structure: Point of View and Time = 65 Other Considerations in Fiction Scriptwriting = 67 Characterization = 68 Themes = 69 Adaptation = 69 Program Length = 70 Summary = 72 Additional Readings = 74 Exercises = 75 CHAPTER 4. Nonfiction Scriptwriting = 76 Documentaries = 77 Structuring a Documentary = 79 Pace = 83 Narration = 83 Other Nonfiction Productions = 84 Newswriting = 84 Interviews and Talk Shows = 87 Instructional Material = 89 Commercials = 90 Summary = 93 Additional Readings = 96 PART 2. PRODUCTION = 99 CHAPTER 5. Directing: Aesthetic Principles and Production Planning = 101 Preliminary Decision Making = 102 Aesthetic Theories = 102 Preparing the Shooting Script = 103 Planning Visual Images = 105 Types of Shots = 105 Composition = 110 Image Qualities = 114 Combining Shots = 115 Planning for Effective Sound = 120 Types of Sounds = 120 Sound Qualities = 123 Combining Sounds = 124 Image and Sound Interaction = 126 On-Screen Versus off-Screen Sound = 126 Commentative Versus Actual Sound = 127 Synchronous Versus Asynchronous Sound = 127 Parallel Versus Contrapuntal Sound = 127 Summary = 130 Additional Readings = 132 Exercises = 132 CHAPTER 6. Directing: Methods and Practices = 133 Production Coordination = 134 Production Meetings = 134 Casting = 135 Rehearsals = 136 Performer and Camera Blocking = 137 Multiple-Camera Directing = 138 Timing = 139 Production Switching = 141 Director's Commands = 146 Live-on-Tape Recording = 147 Single-Camera Directing = 147 Basic Setups = 147 Shooting Ratios = 149 Director's Terminology = 150 Summary = 151 Additional Readings = 152 Exercises = 152 CHAPTER 7. Camera Control = 153 Camera Placement = 154 Framing = 154 Mounting Devices = 157 Lens Control = 160 Basic Optics = 160 Lens Perspective = 161 Image Depth = 162 Video Cameras = 166 Basic Video Camera = 166 The Camera Chain = 167 Types of Video Cameras = 168 Film Cameras = 170 Types of Film Cameras = 172 Film Camera Accessories = 174 Camera Care = 174 Summary = 175 Additional Readings = 177 Exercises = 177 CHAPTER 8. Visual Recording = 178 Light and Color = 179 Visible Light = 179 Types of Light = 179 Aspects of Color = 180 Color Processes = 180 Video Transmission and Recording = 181 Basic Video Transmission = 181 Color Video = 183 Pickup Tubes = 184 Videotape Recording = 186 Videotape Formats = 188 Film Recording = 191 Basic Photochemistry = 191 Color Film = 192 Film Exposure = 193 Motion Picture Formats = 195 Film Aspect Ratios = 196 Summary = 198 Additional Readings = 199 Exercises = 199 CHAPTER 9. Lighting = 200 Basic Lighting Aesthetics = 201 Aesthetic Approaches = 201 Three- and Four-Point Lighting = 203 Low-Key Versus High-Key Lighting = 208 Lighting Plots = 208 Single-Camera Versus Multiple-Camera Situations = 210 Light Sources = 210 Sunlight = 211 Tungsten Light = 211 Carbon Arc Light = 211 HMI Light = 212 Fluorescent Light = 212 Lighting Equipment = 213 Lighting Instruments = 213 Mounting Devices = 215 Shaping Devices = 216 Control Devices = 217 Light Measurement = 219 Types of Light-Meter Readings = 219 Determining Contrast Ratios = 221 Adjusting Contrast = 222 Summary = 222 Additional Readings = 224 Exercises = 224 CHAPTER 10. Sound Recording = 225 Aesthetics of Sound Recording = 226 Functionalist Sound Recording = 226 Realist Sound Recording = 226 Formativist Sound Recording = 227 Sound Recording Situations = 228 Single-Camera Recording = 228 Multiple-Camera Recording = 229 Types of Microphones = 229 Transducer Elements = 230 Pickup Patterns = 230 Mike Placement and Selection = 232 On-Camera Mikes = 232 Off-Camera Mikes = 234 Selecting the Best Mike = 237 Using Multiple Mikes = 238 Stereo Mike Placement = 239 Sound Signal Control = 240 Audio Problems: Distortion and Noise = 240 Sound Intensity Measurement = 241 Cables and Connectors = 243 Mixing = 243 Tape Recording = 246 Tape Formats = 246 Basic Tape Recording = 248 Digital Recording = 248 Tape Speed = 249 Synchronous Sound Recording = 249 Videotape Synchronization = 249 Single-System Film Recording = 250 Double-System Film Recording = 251 Slating = 252 Summary = 253 Additional Readings = 255 Exercises = 256 CHAPTER 11. Scenic Design = 257 Design: The Aesthetic Approaches = 258 Functionalist Design = 258 Realist Design = 258 Formativist Design = 259 Elements of Design = 259 Principles of Design = 262 Design Practices = 266 Functions of Scenic Design = 266 Script Analysis and Research = 266 Set Design = 267 Costume Design = 271 Makeup = 272 Overall Design Integration = 275 Summary = 277 Additional Readings = 278 Exercises = 278 CHAPTER 12. Graphics and Animation = 280 Principles of Graphic Design = 281 Perceptual Organization = 282 Readability = 283 Types of Graphics = 285 On-Set Graphics = 285 Off-Set Graphics = 286 Lettering and Titles = 287 Types of Lettering = 287 Subtitles = 289 Credit or Title Sequences = 290 Illustrations = 290 Hand-Drawn Illustrations = 290 Photographic Illustrations = 291 Computer Graphics = 292 Animation = 292 Animation Preproduction = 293 Types of Animation = 294 Film Animation = 299 Video Animation = 302 Summary = 305 Additional Readings = 307 Exercises = 307 CHAPTER 13. Field Production = 309 Aesthetics of Field Production = 310 Functionalism = 310 Realism = 311 Formativism = 311 Types of Field Production = 311 Electronic News Gathering = 311 Electronic Field Production = 313 Location Film Production = 314 Preproduction Planning = 315 Scouting Report or Remote Survey = 316 Equipment Lists = 316 Field Production Setup = 318 Visual Recording = 318 Lighting = 320 Sound Recording = 322 Field Production Units = 324 ENG Mobile Units = 324 EFP Units = 325 Remote Vans = 326 Cinemobiles = 327 Summary = 328 Additional Readings = 329 Exercises = 329 PART 3. POSTPRODUCTION = 331 CHAPTER 14. Visual Editing = 332 Editing Aesthetics = 333 Functionalism = 333 Realism = 334 Formativism = 334 Common Problems in Functionalist and Realist Editing = 335 Videotape Editing = 336 Preliminary Editing = 336 Final Editing = 342 Film Editing = 348 Electronic Versus Mechanical Editing = 348 Preliminary Editing = 348 Film Editing Systems = 352 Final Editing = 356 Special Effects = 360 Summary = 362 Additional Readings = 364 Exercises = 364 CHAPTER 15. Sound Editing = 365 Sound Editing Aesthetics = 366 Functionalism = 366 Realism = 366 Formativism = 367 Visual Versus Sound Primacy = 367 Editing and Mixing Sound = 368 Mixing Techniques = 368 Editing Speech = 369 Editing Sound Effects = 370 Editing Music = 371 Videotape Editing and Mixing = 373 Synchronous Sound Editing = 373 Sound Inserts = 373 Mixing Videotape Audio = 374 Mixing Videotape Audio with Computer Assistance = 375 Film Editing and Mixing = 375 Synchronous Sound Dubbing = 375 Magnetic Film Splicing = 375 Mixing Magnetic Film = 377 Editing and Mixing Audiotape = 378 Splicing Audiotape = 379 Mixing Nonsynchronous Audiotape Sounds = 380 Mixing with Multi-Track Recorders = 380 Summary = 381 Additional Readings = 384 Exercises = 384 CHAPTER 16. Distribution and Exhibition = 385 Technology of Distribution and Exhibition = 386 Broadcasting = 386 Satellite, Cable, and Closed-Circuit Television = 388 High-Definition Television = 390 Videotapes, Videodiscs, and Laser Discs = 390 Electronic Projection = 392 Film Projection = 392 Economics of Distribution and Exhibition = 394 Commercial Network Television = 394 Commercial Syndicated and Local Television = 395 Commercial Cable Television = 396 Public Television = 397 Commercial Spots and Public Service Announcements = 398 Videotape, Videodisc, and Laser Disc Markets = 400 Theatrical Film = 402 Nontheatrical Film = 404 Corporate and Institutional Within-House Production = 405 Summary = 407 Additional Readings = 411 Exercises = 411 Glossary = 413 Acknowledgments = 443 Index = 444

Holdings Information 1