Writing Short Films
Management No. BFM011905
- Physical/Digital
- 아날로그
- Media Type
- 도서
- Subject
- 영화
Basic Information
- Title
- Writing Short Films
- Subtitle
- Structure And Content For Screenwriters
- Parallel Title
- -
- Country
- 국외
- Production Date
- 1997-**-**
- Language
- 영어
- Size (mm)
- 152 x 229
- Pages
- 256쪽
- ISBN/ISSN
- 0943728800
- Edition
- -
- Master Files
- -
- Producer
- Linda J. Cowgill (저자), Longeagle (발행처)
- Description
- -
Contents
ACKNOWLEDGMENTS = ⅶ INTRODUCTION = ⅸ PART ONE: The Fundamentals 1: STARTING OUT—WHAT'S IT ABOUT? = 3 The Characteristics of a Good Short Film = 4 Where To Begin? = 13 From Idea to Story = 17 Entertainment & Inspiration = 21 Exercises = 22 2: CHARACTER & EMOTION—WHO DOES WHAT AND WHY? = 23 The Relationship Between Character and Plot = 24 The Short Film vs. The Feature = 25 Defining the Character = 30 Emotions, Attitudes & Actions = 35 Transformation = 42 Unity of Opposites = 44 The Important Characters = 45 Exercises = 49 3: THE THREE-PART NATURE OF FILM STRUCTURE = 51 The Setup = 52 The Climax & Resolution = 63 Exercises = 65 4: PLOTTING—THE TWISTS & TURNS = 67 Story & Plot = 68 The Role of Conflict = 69 The Principles of Action = 73 Exercises = 81 PART TWO: Intermediate Steps 5: FADE IN: OPENINGS & THE MAIN EXPOSITION = 85 The Problem = 86 The Main Exposition = 86 Narration = 87 Visual Dramatization = 92 Opening the Movie = 95 Exercises = 101 6: THE MIDDLE—KEEPING THE STORY ALIVE = 103 Suspense = 104 The Antagonist = 105 The Dreadful Alternative = 105 Suspense Killers = 106 Surprise = 107 The Pseudo Solution = 111 Exercises = 113 7: FADE OUT: REVELATION, CLIMAX & RESOLUTION = 115 Story Revelation—Character Revelation = 116 The Climax = 123 The Resolution = 128 Exercises = 129 PART THREE: The Structure Of Scenes 8: CONSTRUCTING THE SCENE = 133 Units of Action = 134 The Principles of Construction = 136 Techniques for Construction = 142 Exercises = 149 9: DIALOGUE: THE SEARCH FOR THE PERFECT LINE = 151 The Function of Dialogue = 152 The Characteristics of Good Dialogue = 154 Techniques & Tips = 159 Exercises = 163 10: THE SUBTEXT OF MEANING = 167 The Role of Subtext = 168 The Emotion Beneath the Lines = 171 Revealing The Subtext = 173 Exercises = 178 PART FOUR: Keeping Focused 11: KEEPING FOCUSED: WHAT DOES MY PROTAGONIST REALLY WANT? = 183 Keeping on Track = 184 Conclusion = 187 APPENDIX A: Screenplay Format = 189 APPENDIX B: Referenced Films on Video = 201 APPENDIX C: General Film Index = 205 APPENDIX D: Writers Reference = 207 APPENDIX E: "Ray's Male Heterosexual Dance Hall" = 211 BIBLIOGRAPHY = 239 INDEX = 241 ABOUT THE AUTHOR = 256
Holdings Information 1
BFM011905_01
- Source
- 이승구
- Acquisition Method
- 기증
- Acquisition Date
- 2019-08-13
- Group Information
- -
- Access
- On-site Access
- Copy/Rental
- -
- Storage Location
- 영상도서관(상암)
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