Movies and Meaning

Basic Information

Title

Movies and Meaning

Subtitle

An Introduction to Film

Parallel Title

-

Country

국외

Production Date

1997-**-**

Language

영어

Size (mm)

190 x 231

Pages

397쪽

ISBN/ISSN

0023968060

Edition

-

Master Files

-

Producer

Allyn And Bacon (발행처)

Description

-

Contents

Contents

CONTENTS Preface = xi 1 The Camera and Film Structure = 1 The Concept of Structure = 3 Structure and the Camera = 8 Structural Design and Creative Choice = 31 The Camera and Viewer Perception = 36 Summary = 41 Suggested Readings = 42 2 Elements of Mise-en-scene : Cinematography = 43 Components of Mise-en-scene = 45 The Essentials of Cinematography = 47 Summary = 67 Suggested Readings = 68 3 Elements of Mise-en-scene : Production Design and Performance Style = 69 From Art Director to Production Designer = 70 Basic Tools of Production Design = 71 The Design Concept = 80 Production Design and the Viewer's Response = 82 Acting = 85 Summary = 102 Suggested Readings = 103 4 Editing : Making the Cut = 104 What Is Editing? = 105 The Principles of Continuity Editing = 121 Alternatives to Continuity Editing = 131 Summary = 149 Suggested Readings = 150 5 Principles of Sound Design = 151 Sound Design = 153 The Codes of Sound Design = 156 Types of Sound = 168 Summary = 182 Suggested Readings = 183 6 The Nature of Narrative in Film = 184 The Turn to Narrative in Early Film History = 186 The Significance of Narrative = 190 Elements of Narrative = 190 The Viewer's Contribution to Narrative = 209 Summary = 212 Suggested Readings = 213 7 Modes of Screen Reality = 214 Basic Modes of Screen Reality = 216 Genres and Screen Reality = 242 Summary = 252 Suggested Readings = 253 8 Hollywood International = 254 The Global Dominance of Hollywood = 256 International Influence of Hollywood Style = 267 Summary = 278 Suggested Readings = 278 9 The Cinema in an International Frame = 279 The International Auteur Cinema = 280 Cinema and Society : The New Wave Phenomenon = 299 Summary = 315 Suggested Readings = 316 10 Film Criticism and Interpretation = 317 Why Criticism Exists = 318 The Task of the Critic = 320 Modes of Criticism = 321 Creating Criticism = 329 Summary = 338 Suggested Readings = 340 11 Models of Film Theory = 341 Realist Models of the Film Experience = 343 Auteurist Models = 347 Psychoanalytic Models = 351 Ideological Models = 354 Feminist Models = 362 Cognitive Models = 366 Summary = 371 Suggested Readings = 372 Glossary = 374 Index = 385 Guide to Color Plates = 46

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