Cinema 2

Basic Information

Title

Cinema 2

Subtitle

The Time-Image

Parallel Title

(원서명)Cinéma 2 : L'image-temps

Country

국외

Production Date

1989-**-**

Language

영어

Size (mm)

140 x 213

Pages

344쪽

ISBN/ISSN

0816616760

Edition

-

Master Files

-

Producer

Gilles Deleuze (저자), Hugh Tomlinson,Robert Galeta (역자), University of Minnesota Press (발행처)

Description

-

Contents

Contents

Preface to the English Edition = xi Translators' Introduction = xv Chapter 1. Beyond the movement-image 1. How is neo-realism defined? = 1 2. Ozu, the inventor of pure optical and sound images = 13 3. The intolerable and clairvoyance = 18 Chapter 2. Recapitulation of images and signs 1. Cinema, semiology and language = 25 2. Pure semiotics: Peirce and the system of images and signs = 30 3. The time-image and its subordination to the movement-image = 34 Chapter 3. From recollection to dreams: third commentary on Bergson 1. The two forms of recognition according to Bergson = 44 2. From the optical and sound image to the recollection-image = 47 3. Larger and larger circuits = 55 Chapter 4. The crystals of time 1. The actual and the virtual: the smallest circuit = 68 2. Actual and virtual according to Bergson = 78 3. The four states of the crystal and time = 83 Chapter 5. Peaks of present and sheets of past: fourth commentary on Bergson 1. The two direct time-images: coexistence of sheets of past (aspects), simultaneity of peaks of present (accents) = 98 2. The first time-image: the sheets of past according to Orson Welles = 105 3. Sheets of past according to Resnais = 116 Chapter 6. The powers of the false 1. The two regimes of the image: from the point of view of descriptions (organic and crystalline descriptions) = 126 2. Orson Welles and the question of truth = 137 3. From the point of view of the story (truthful story and simulating story) = 147 Chapter 7. Thought and cinema 1. The ambitions of the first cinema: art of the masses and new thought, the spiritual automaton = 156 2. The crisis of the cinema, the break = 164 3. A theorematic structure: from theorem to problem (Astruc, Pasolini) = 173 Chapter 8. Cinema, body and brain, thought 1. 'Give me a body, then' = 189 2. Give me a brain - The cinema of the brain and the question of death (Kubrick, Resnais) = 204 3. Cinema and politics = 215 Chapter 9. The components of the image 1. The 'silent': the seen and the read = 225 2. The sound continuum, its unity = 234 3. The third kind of speech-act, act of story-telling = 241 Chapter 10 Conclusions 1. The evolution of automata = 262 2. The direct time-image = 270 3. The usefulness of theory in the cinema = 280 Notes = 281 Glossary = 335 Index = 337

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