Script Supervising and Film Continuity

Basic Information

Title

Script Supervising and Film Continuity

Subtitle

-

Parallel Title

-

Country

국외

Production Date

1986-**-**

Language

영어

Size (mm)

152 x 235

Pages

190쪽

ISBN/ISSN

024051744X

Edition

초판

Master Files

-

Producer

Pat P. Miller (저자), Focal Press (발행처)

Description

-

Contents

Contents

Foreword Vincent Sherman = xi Preface = xiii Acknowledgments = xvii 1 Getting into the Act = 1 Visit a Studio Lot and Sound Stage = 1 Inside the Sound Stage = 2 Qualifications for the Job = 2 Prerequisites = 2 Requisites = 3 Tools of the Trade = 3 Only One Continuity Supervisor = 4 2 Continuity Is a Craft = 5 What Is Film Continuity? = 5 Shooting out of Continuity = 6 What the Continuity Supervisor Oversees = 7 Definition of Terms = 8 3 Dealing with the Script = 10 Sample Teleplay = 10 How to Read a Script = 16 The Locale or Set = 16 The Action or Business = 17 The Dialogue = 17 How to Break Down a Script = 18 Master Scenes = 19 Story Chronology/Time Breakdown = 20 Times of the Day or Night = 21 Names of Characters = 21 Characters’ Physical Distinctions = 22 Overt Action = 22 Props = 22 Read the Script Again = 23 Back-Matching Notes = 23 Scene Count = 24 Page Count = 25 Master Scene Page Count = 25 Wardrobe Outline = 26 Continuity Synopsis/One Line = 26 Script Revisions = 27 Special Report Forms = 28 Sample Script Breakdown = 28 4 Prior to Principal Photography = 41 Hierarchy = 41 Preparation Time = 45 The Production Meeting = 45 The Shooting Schedule = 46 The Call Sheet = 47 Pretiming Scripts = 47 5 A Day on the Set = 49 Rigging the Set = 49 The Lineup = 50 Blocking the Set = 50 The Walk-through = 52 Marking the Actors = 52 Lighting with Stand-ins and Fringe Activities = 53 Cuing Actors = 53 Scene Reading = 54 Camera Rehearsal with Principals = 54 Timing Rehearsals = 56 Slating = 57 Scene Number Slating = 58 Consecutive Number Slating = 58 Takes = 59 Shot Description = 59 Your Place at the Camera = 60 The Dress Rehearsal = 60 Ready to Shoot = 61 First Shot of the Day = 62 Camera Rolling = 63 Copious Notes = 63 Eyes on the Principals = 63 Back-matching during Photography = 63 Who Calls “Cut”? = 64 The Pick-up Shot = 65 Bridge Shots = 66 “Cut . . . Print” = 66 Alternate Shots = 67 Multiple Prints = 67 No Print = 67 Out Takes = 67 Retakes = 68 End Slates = 68 Multiple Cameras = 69 6 Continuing a Day on the Set = 71 Timing the Performance = 71 Timing Traveling Shots = 73 Timing Runby Shots = 73 Timing Telephone Conversations = 74 Timing Fast and Slow Motion = 74 Time/Footage Conversion = 75 Reading Off-camera Dialogue = 75 Continuity Pages for the Film Editor = 76 The Right-hand Script Page = 76 The Left-hand Script Page = 77 Is the Sequence Covered? = 78 Striking the Set = 78 Company Wrap and Production Reports = 79 Tally the Number of Pages Shot = 79 Tally the Number of Scenes Completed = 79 Tally the Number of Unfinished Scenes = 80 Tally the Setups = 80 Tally Picture-running Time = 80 Prepare Daily Progress Report = 82 Script Pages to the Editor = 84 Cleanup Time = 84 Dailies (Rushes) = 85 Final Continuity Script for the Film Editor = 85 7 Dynamics of the Camera = 99 Inscribed Area = 99 Imaginary Line/Action Axis/180° Rule = 100 Examples of “Crossing the Line” = 100 Progression = 104 Clean Entrances and Exits = 104 The Chasing Action = 106 The Converging Action = 108 Doubtful Progression = 108 Direct Reverse Progression = 110 Establishing Geography = 112 Cross-country Progression = 112 Eyes-following Progression = 112 Screen Direction = 114 Jumps on Screen = 116 Hand-held Camera = 118 Split Screen = 118 Rear Projection/Process Shot = 118 Lenses = 119 8 Techniques of Coverage = 121 The Reason for Coverage = 121 Covering Master Scenes = 124 Correct Looks = 124 Breaking up the Master 4/Shot = 125 Breaking up the Master 3/Shot = 128 Breaking up the Master 2/Shot = 130 Intercutting Telephone Conversations = 132 Covering Wrong Action = 133 Covering Alternate Master Shots = 137 Covering with Doubles = 137 Covering Moving Shots = 138 Covering Close-ups = 138 Covering Off-stage Overlaps = 139 Shooting Beginning and End of Scenes = 139 Cutting in the Camera = 139 Intercutting/Cross-Cutting/Parallel Cutting = 140 9 Techniques of Matching = 141 Action Matching = 141 The Match Cut = 142 Matching Running Shots = 142 Actors and Matching = 143 Matching Background = 143 What and How to Observe for Matching = 144 Unnecessary Matching = 149 Precision Matching for Close-ups = 150 Match Dissolves = 150 10 Film Language = 152 Camera Department Vocabulary = 152 Sound Department Vocabulary = 155 11 Second Unit Filming = 158 Second Unit Slating = 159 12 Television Series = 160 Shooting Back to Back = 160 Shooting Multiple Shows = 161 13 Epilogue = 163 Your Career Wardrobe = 163 A Personal Word = 164 Screen Credit = 164 Appendix A Abbreviations of Shot Descriptions = 167 Appendix B Forms and Conversions = 170 Story Chronology/Time Breakdown = 171 Scene Count = 172 Production Stock Shots = 173 Page Count = 174 Wardrobe Outline = 175 Continuity Synopsis/One Line = 176 Daily Continuity Log = 177 Cutter’s Log = 178 Daily Progress Report = 179 Shooting Schedule = 180 Call Sheet, Page 1 = 181 Call Sheet, Page 2 = 182 Conversion Table = 183 Conversion Chart = 184 Index = 185

Holdings Information 1