Introduction to the Art of The Movies

Basic Information

Title

Introduction to the Art of The Movies

Subtitle

-

Parallel Title

-

Country

국외

Production Date

1960-**-**

Language

영어

Size (mm)

134 x 203

Pages

302쪽

ISBN/ISSN

-

Edition

초판

Master Files

-

Producer

Lewis Jacobs (저자), The Noonday Press (발행처)

Description

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Contents

Contents

PREFACE = xi INTRODUCTION／MOVIES : THE DIRECTOR’S ART / Lewis Jacobs = 3 1910-1920 THE DRAMA OF THE PEOPLE / The New York Independent = 41 THE BIRTH OF A NEW ART / The Independent = 44 THE ART OF THE MOVIES / Henry MacMahon = 47 THE PICTURE OF CROWD SPLENDOR / Vachel Lindsay = 51 THE CINEMATOGRAPH AS ART / Alexander Bakshy = 57 ON THE SCREEN / Kenneth MacGowan = 70 THE VIVIFYING OF SPACE / Herman G. Scheffauer = 76 1920-1930 ERICH VON STROHEIM / Herman G. Weinberg = 89 A NEW REALISM—THE OB JECT / Fernand Léger = 96 OF WHAT ARE THE YOUNG FILMS DREAMING? / Le Comte E. de Beaumont = 99 NOT THEATER, NOT LITERATURE, NOT PAINTING / Ralph Block = 101 SUNRISE: A MURNAU MASTERPIECE / Dorothy B. Jones = 107 A DYING ART OFFERS A MASTERPIECE / Richard Watts, Jr. = 130 RUSSIA’S FILM WIZARD / Evelyn Gerstein = 134 THE WORK OF PUDOVKIN / Jay Leyda = 140 THE NATURE OF THE CINEMA / Andre Levinson = 145 GRIFFITH: PIONEER OF THE FILM ART / Seymour Stern = 153 1930-1940 EISENSTEIN ON SOUND / Sergei Eisenstein = 163 THE FUTURE CINEMA: NOTES FOR A STUDY / Harry Alan Potamkin = 165 DISNEY AND OTHERS / Gilbert Seldes = 170 LEGER AND CINESTHETIC / James Johnson Sweeney = 173 NOTES ON HOLLYWOOD DIRECTORS / Dwight Macdonald = 177 FORMAL CINEMA / Kirk Bond = 209 WHAT IS A MOTION PICTURE? / James Shelley Hamilton = 217 JEAN VIGO / Siegfried Kracauer = 223 PRELIMINARY TOPICS IN DEFINING CINEMA / Paul Goodman = 227 THE FUTURE OF COLOR / Andre Sennwald = 232 1940-1960 TUESDAY BROWN / Meyer Levin = 239 ORSON WELLES’ CITIZEN KANE / Cedric Belfrage = 247 CINEMA AS AN ART FORM / Maya Deren = 253 DEATH OF A CRITIC / Dudley Nichols = 266 RASHOMON / Henry Hart = 273 THE ONLY DYNAMIC ART / James E. Davis = 277 THE FILM AS AN ORIGINAL ART FORM / Hans Richter = 282 TOWARD TRUE CINEMA / Slavko Vorkapich = 288 THE OTHER BERGMAN / Hollis Alpert = 296 NOTES ON THE CONTRIBUTORS = 301

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