Italian Film in the Lights of Neorealism
Management No. BFM012204
- Physical/Digital
- 아날로그
- Media Type
- 도서
- Subject
- 영화
Basic Information
- Title
- Italian Film in the Lights of Neorealism
- Subtitle
- -
- Parallel Title
- -
- Country
- 국외
- Production Date
- 1986-**-**
- Language
- 영어
- Size (mm)
- 140 x 215
- Pages
- 443쪽
- ISBN/ISSN
- 0691102082
- Edition
- 초판
- Master Files
- -
- Producer
- Millicent Marcus (저자), Princeton University Press (발행처)
- Description
- -
Contents
List of Illustrations = ix Acknowledgments = xi Preface = xiii Introduction = 3 PART Ⅰ: Neorealism Proper = 31 1. Rossellini’s Open City: The Founding = 33 2. De Sica’s Bicycle Thief: Casting Shadows on the Visionary City = 54 3. De Santis’s Bitter Rice: A Neorealist Hybrid = 76 4. De Sica’s Umberto D: Dark Victory for Neorealism = 96 PART Ⅱ: Transitions = 119 5. Comencini’s Bread, Love, and Fantasy: Consumable Realism = 121 6. Fellini’s La strada: Transcending Neorealism = 144 7. Visconti’s Senso: The Risorgimento According to Gramsci = 164 8. Antonioni’s Red Desert: Abstraction as the Guiding Idea = 188 PART Ⅲ: Return to Social Commentary = 209 9. Olmi’s Il posto: Discrediting the Economic Miracle = 211 10. Germi’s Seduced and Abandoned: Inside the Honor Code = 228 11. Pasolini’s Teorema: The Halfway Revolution = 245 12. Petri’s Investigation of a Citizen above Suspicion: Power as Pathology = 263 PART Ⅳ: Fascism and War Reconsidered = 283 13. Bertolucci’s The Conformist: A Morals Charge = 285 14. Wertmuller’s Love and Anarchy: The High Price of Commitment = 313 15. Rosi’s Christ Stopped at Eboli: A Tale of Two Italics = 339 16. The Taviani Brothers’ Night of the Shooting Stars: Ambivalent Tribute to Neorealism = 360 17. Scola’s We All Loved Each Other So Much: An Epilogue = 391 Bibliography of Works Consulted = 423 Index = 437
Holdings Information 1
BFM012204_01
- Source
- 이승구
- Acquisition Method
- 기증
- Acquisition Date
- 2019-08-13
- Group Information
- -
- Access
- On-site Access
- Copy/Rental
- -
- Storage Location
- 영상도서관(상암)
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